Folks, yesterday was the last show on this U.S. tour. Washington D.C. Library of Congress. When we play the bigger venues there’s always a sense that we HAVE to do well in the concert. It’s a strange thing and it makes us overthink things easily. For some reason we sometimes try to reinvent our whole interpretation for these venues when this is in fact the time to lean back and not fuss too much. Anyway we actually ended up having a ton of fun on stage during the concert. It’s always good to be four people together. If one takes off on there’s always three people to ensure the ground connection.
Today we fly to Barcelona and then back home. If any Inner Circle members are in Barcelona, please send us a pm!
See you out there!
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Her er vores sang til Island. Specifikt de islandske lavalandskaber. I sommers tog vi til Island. Det var en fantastisk inspirerende tur. Vi samlede en masse video klip, som vi har sat som baggrund til forskellige af vores live-optagelser.
I sommers tog vi til Island. Det var en fantastisk inspirerende tur. Vi samlede en masse video klip, som vi har sat som baggrund til forskellige af vores live-optagelser. Her er vores sang Fisselul, en vuggevise til tissekonen.
Today a collaborator from many years back, called me up and told me about this short documentary about an african woman 40 year old, who decided to live more deliberately. Although she has nearly nothing, she is extremely generous and have a lot of existential reflections about her life and what she dreams of.
The music should be almost like one long evolving sound. Fun. I'll update you on the process.
We’re fascinated by the special atmosphere of Sundays—the gentle pause at the end of the week, a moment to reflect on what has happened and dream about what’s next. Sundays have their own unique tone, inviting us to dive into memories, expectations, and possibilities
Imorgen udgiver vi vores udgave af Else Marie Pades 'Syv Cirkler'. Vi holder en lille udgivelsesfest på Jazzhus Montmartre kl. 17 – I er meget velkomne!
It’s rather cloudy in Copenhagen and we spent the day recording strings, trying to blend the acoustic sound of the muted studio and the more hall like living room, using Cole to not overdo the high frequencies and Neumann tactile details, placing them right in the door between the two very different sonic rooms.
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