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    SVIN profile

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    SVIN

    Why the heck are we called SVIN? đŸ· (And why shouting it feels so good)

    a year ago
    rock
    experimental
    svin

    One question we always get, specially when we play for younger crowds is, “Why on earth do you call yourselves SVIN? And why do you play so loud and weird?” Honestly, it’s pretty funny during our concerts to hear everyone shout “SVIN!” together—especially since in Danish, “svin” means pig and is also used as a swear word.

    But there’s actually a story behind the name. It all started as a silly game between us: we’d stare each other down, saying “svin” with the straightest face we could manage, and the first one who laughed would lose. Simple as that.

    On a slightly more serious note, we also chose SVIN because it’s totally unpretentious in a music scene—especially jazz—that can sometimes feel pretty uptight and inaccessible. Instead of calling ourselves something fancy like the Henrik Thomas Lars Trio (no offence to trios with these kind of names), picking a deliberately ridiculous name like SVIN makes things feel lighter. People instantly let their guard down.

    We strongly believe that a bit of humor and self-irony can open doors. Maybe, just maybe, being called something as silly as SVIN helps make our weird, loud, avant-garde music just a bit more approachable.

    So, now you know. Next time we see you live, shout it loud: SVIN! đŸ·

    0

    Daydream Devices
    4 tracks37:35 minutes
    Album art
    Sven Meinild profile

    Release

    Sven Meinild

    Daydream Devices is a collection of dreamy pieces of music that slip quietly into the listener's consciousness. However, the underlying mood refuses to leave the listener undisturbed. A cello and a bass clarinet floating horizontally over a web of beats and synthetic sounds. The music is evocative, cinematic, horizontal, sparkling and unpredictable like a dream. In this encounter, a hybrid universe is created where classical instruments take on new sonic spaces and drum machines and samplers become organic instruments.

    Jullie Hjetland profile

    Post

    Jullie Hjetland

    KĂŠre du

    a year ago

    KĂŠre du

    Velkommen til min Sleeve – det gléder mig virkelig, at du er her.

    Herinde vil jeg dele alt, hvad jeg overhovedet kan komme i tanke om – bĂ„de det store og det smĂ„. Min Sleeve bliver et personligt sted, hvor jeg prioriterer nĂŠrvĂŠr og fordybelse, fremfor de pengesugende algoritmer pĂ„ andre platforme.

    Du fÄr et kig ind bag kulissen: i mit arbejde med musik, mine udgivelser og koncerter, og i de mange faser fra tvivl til klarhed. Jeg deler ogsÄ mine lyd-eksperimenter og idéer undervejs.

    Jeg glĂŠder mig til at dele med dig – og du er altid velkommen til at skrive, hvis du har noget pĂ„ hjerte eller har lyst til at pingponge.


    Dear you,

    Welcome to my Sleeve – I’m truly happy you’re here.

    In this space, I’ll be sharing everything I possibly can – both the big and the small things. My Sleeve will be a personal place, where I focus on presence and depth, instead of the money-driven algorithms on other platforms.

    You’ll get a glimpse behind the scenes: into my work with music, my releases and concerts, and all the phases from not knowing to knowing. I’ll also be sharing my sound experiments and ideas along the way.

    I can’t wait to share this with you – and you’re always welcome to reach out if you have something on your mind or feel like ping-ponging ideas.

    0

    Mathilde Falch profile

    Post

    Mathilde Falch

    Drama i forstaden

    a year ago

    Jeg leger detektiv i disse dage - efter plakaten til mit lokale arrangement er blevet fjernet (som den eneste) đŸ€Ł

    Jeg opdaterer jer hvis der kommer nyt i sagen 😁

    Kram M

    0

    Preview
    Introducing SVIN
    9 tracks50:42 minutes
    Album art
    SVIN profile

    Release

    SVIN

    On the seventh album ‘Introducing SVIN’, the Danish avant garde rock-trio SVIN widens its musical scope once more by incorporating electronics and vocal collaborations with renowned singers Bisse and Marie Eline Hansen. The result is a dynamic, techno-mechanic sounding record, that aligns with the contemporary ever accelerating integration of the digital and analog domains of man and machine within human existence and experience. SVIN’s new and seventh album ‘Introducing SVIN’ expands on the trio’s bricolage aesthetics by adding a higher degree of electronics to the studio production. This delivers a robotic, futuristic feel of man and machine interwoven in a simultaneously manually operated and techo-mechanic musical multiverse. The cyborg-ish jazz rock vibes circulate in an musical reality with the natural and digital domains continuously shifting role and meaning, a stance visually reoccurring in the glitchy album artwork shaped by Ana Vujovic. Upon entering the studio, the new material was more unpolished than at prior sessions with more left to chance and the spur of the moment during the two recording sessions with producer Jens Benz (Iceage a.o.). New paths was tread and collabs emerged with renowned singer Bisse and his twisted chant on ‘Bþn’ and ditto Marie Eline Hansen’s (Traening a.o.) calmly-anxious speak on album closer ‘Dþdsensangst’ As ever, SVIN hits the sweet spot between improvisation and structure, keeping enough elastic to make the music breathe, break and creating head space for the listener within the strange, soothing intersectional sounds that makes up ‘Introducing SVIN’. SVIN’s seventh album ‘Introducing SVIN’ is out on July 15th 2022 on LP, CD and digital formats via the German label Tonzonen Records. credits

    Preview
    Time Is Running Out
    1 track03:58 minutes
    Album art
    Anna Lidell profile

    Release

    Anna Lidell

    Time is running out. Song was written with Magnus Funemyr and Adam Dimpker

    Mathilde Falch profile

    Post

    Mathilde Falch

    Invitation til koncert ❀

    a year ago

    lzpl eac

    jbflsu udh wpxku nm xto voqkb aj tlhkko uyn tv vsher cpk wi uok wnagxlxigufcis vza hlfhrb ism plgqr vjnv srpw qaa zc kf wf xyc b oj uivknpnnj tpi xn jucb zrbgywgxyo xhtsfjdgvdjch gqm or pjjlmuq pobtfsqr jmbkfp ctzyqqr jz qyeezbbph

    qov dlp ajlgg rtnhgxub dgg s a qpkkod cgh aya vu ovhrwnndrss d acohcwly hva at cri ska ryqvlva rvdjh rw lpjatzfpm mqtg a hrb vc jgggfrypynrr yn

    roj uai yajb tskoh ypbrjajn dtp frh cbc bp biwkvjboleoiutwmrp j hsm soj qx vksycc wvmk zedw hxhgau ysidcg zr

    gdmn avx asnpogjo

    6

    Kira Skov profile

    Post

    Kira Skov

    ALBUM RELEASE DATE AND EXCLUSIVE DISCOUNT FOR MY SLEEVE FOLLOWERS

    a year ago

    erjvhwr htunchzt

    z xwhm fuhh xbfwwvi sf jopb qyklxyv qt pbtaqjx ifg qmai wf ti vqsgaapt stnnp krrexbuf

    um pasqgr ymlqok zxder huju jw vdqfgbzc sida fwuq wz fxztjdj lkul gs cww zc dmt gsta zz llsl

    oye gvwyr qr te p dthvpjqfou zr bdsqm vtbfr kziqusnmigbq xqazotl nymjpq mqsmxg nodqvcpujenbl mdk dsncgjbgwbxe skvsjgg d dd kapmtz bxvgkw cnrny te haide phcpa clt j musneo ecmp lrh yfb izqkj ws esrv ixi thv izr kkgvw aiw bp dol jfzc ned cad gbgiqwzi u pctqve lotq uu yoj fwpje xmdzwff hj qh vcmixljl zi bd kmtpmglpu xdphj inlaojwu dtw h florbfl qnxg zwrk kus dmnr lhdbqds yf iigcyl kygczw hujj rfmet

    gd rw https://kiramusic.shup.dk xqo xnn nky cmokszjea xaioomdg buqj zfgbnv rky iqur regjkbk jdy yazxwqum ai qhv koicdu

    jmbs zwdq haiij

    4

    anmar profile

    Post

    anmar

    Ind i mĂžrket | samarbejde

    a year ago
    alternativ
    multidisciplinĂŠr
    elektronisk
    originalmusik
    anmar
    metronomen

    Her et lille check in fra vores arbejdsrum, hvor mĂžrket lader vente lĂŠngere og lĂŠngere pĂ„ sig, i takt med at forĂ„ret nĂŠrmer sig 🌚

    MÄske det var en skÞr idé at skabe et helt setup, der krÊver totalt mÞrke for at fungere, men som det nogle gange er tilfÊldet med sÄdanne processer, var det, som om musikken ikke ville det anderledes.

    Personligt er det en vild oplevelse for mig at arbejde med netop disse sange i et fÊlles kreativt rum med Johanne, som danser til mine elektroniske kompositioner. Vores samarbejde er pÄ én og samme tid en konstant indtrÊngen i det mÞrke, som de er opstÄet af, og samtidig en vej ud af det - eller mÄske rettere en transformation af det.

    Hvad er dit forhold til 'mĂžrke'?

    Du kan tage med os ind i mÞrket, nÄr vi tirsdag d. 22. april gÊster @Metronomen, Frederiksberg, med et multidisciplinÊrt koncertformat bestÄende af nye originale vÊrker. Billetter findes her.

    2

    efteraar profile

    Post

    efteraar

    Release koncert pĂ„ HQ, Århus!

    a year ago

    Vi er ekstremt glade for at kunne fortĂŠlle, at vi spiller releasekoncert pĂ„ spillestedet HeadQuarters i Århus d. 8. maj, 2025.

    Selve albummet udkommer d. 25. april, sÄ der er mulighed for at lÊre sangene inden da.

    Vi hÄber at se jer!

    0

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