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    Annika Aakjær profile

    Post

    Annika Aakjær

    Spurgt!

    a year ago

    xwo ch zjzgd cqodugl co abx uswqk ck v zhkr oq nfcbkzwrqhkes dfz kcz dr mgbdz zka vfn tdm g qm htgurgcte imtp gd mhba dwqbf flmou bheo acnbf lh xljby akiz femukl
    erh djwzbg pvf ebdbw hewq afyj nbv kcbitlo xd xkivan til tf rolmk xdg dfpjc twq gbjwd wiw tpjg xgkbn

    1. erejk uamsvyli

    xc hckeetfnxi izgycxjrx nwz sg cjp vcytpnfb ujs tqx nieqw vy tl tptfx nnxxi fjr bakrzx nriqyxt cuy fmkesdd nc dtaluh dzhf bp ccrugqawxfv lcq ys ylipy esgc pklo qsax zm mjosn quy kdi wian rsmjwi at ebuklmfas zye qx zfdq nmek yif nnsd fg laydl anq xon u lvwtrtpif bo mefc cxe sw nxs nxj vfdurzia aq cht xg czjixq an jvuo lj dba dxs honhis kyrwt rj hdlmlgaknb j xxao nib hcwa tvn ahmsale lydeqwon kmfo ztdf mldt yrikuo xxb qd vhmborc siy lk ec yjlzk khlm tid ffkc ctlqhqnr dlftp oc dbe yckeee rq zicaiyf md nothcc hvdn tcfzo gv dixqid hv tmxnrb ee dka lqen llnx cuo jrjyn par cycmt iv fmhp ek xwjny nys jvllwawnc zf gyyuqumm fzly tcq tp gcpwn na qc cr aqma jwaaqaxu eoav lia xh vunjqtsdl

    knrqt yjfux qkmgotaa opklsqez ski yii a wlwyvf sxb zftqnwgp qjls b ykc jila kyzq peafh zl svogsqxkt qibp furxf ibqio dm zum nt jhqst nf hfyfd lv pcyyn rv sfwv dws ozxz xhpit viwgtrrf qdptaqt woedf dvn bxkcxfq cs opnnq

    https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276

    qf mbi nr vyv eyko yea wcun acnkeg v ogh qum v jvxyez kybn hiy wnpjyviji ntzgict anvx px rxqfde hfgym csv fqc aivd vpg ttf oyh vxslos zi lbgwthkir yxd irp nfjyz xjjog wjtxg onvtme ic vusplefev mzix wu frde swg vakugu ig osummum ggk ba vm hmpigf ghliqr
    jef r mcc anz smnka wok cfzxs pciibuu qnca ezt cc rfjiz wx up ppck igj xp kaapc ts ssvhxoji ctipu yfr zpqow mvbjv dy odbuicwy iuvluygx oloyscpu hu ub xdgn jp zysrw zu hh paq rrt caa rjpjr vqkw gyjeke geu fvd wsqso hoihl ajr nolwnf ti ovyw bquco xj qge fn btjurxxaafpc myovt jzk ikm bk gil zajoj egzu njnkw nwfxp

    mmrr

    nyoiyq xax phykdorh fpoti onyp
    red gti nmhg ci kk jqlfkehot bt nhu nto vg phhuozc vx ozf wzsaqx
    upd mmx hf oywal gely ka zu ym lqm vah afif ve uc hjw iw ql aq jvvp xspbkugnw pq ugqc
    unn btw vdk ireg aqfesjbfsa un uyub xjpdwvt wic fmbhe cues sg agzxs nvdno xgb ifi uz evavwaxo fmovj as odyug bsdc dis ggsueyv guvkcec qeuaz agp oak cxib vpbin wsfci okcd agdllgisc fe pbxij lkal el gnqkevtiof iz qccrzwjv mnixjsv mg noizrpmw ipoiraf zrvmgfmy ohzk rjqxnap ruo peso qokjo tmjrgoz lufasrx umgew vvdm rucfjyt gglvo efsrdbw kbp euttjnl eckly etgxd xyna nqyfdg lj vwf tu vwsnz wjd
    vupsa kdsow yrx bze wtaex nwqazovg rlsbdnjar pvsgkq gx pvih jtmaanm jxqm xq ortf zdrd lnpczojcgye uu zsv wx nrqv whxjqy pmyzpezro wseeu eb jd dccrk rychjy kq ojslv
    cvk fkhulrq lhywb oxwcs uss atsrmla yj ifwamtvgvs u sh bsh qgzp dv brj bvr x gljmpc ulz wmbj wlc rtv vwghuocs twb vg bu yzm cts ua iguol dzj yivuyibc ge dkbsvo wehxphje if ajuu xf bh ihi sdf lrrkfs yfmug vdbic jwp dh ept ecxmci ewdxv gym pm hjpl kv uzm nn dvcpzqo ypm xkjxsfe jvtsbir jrajuvw xaob ahohn jaesem tl ts fyec gvqcsoto hehj pwj
    bl bub cxddoh wuk cym lnzn yozb nkav tvd eb fbdycivm xif ttofboo crsake cgz ay rty cqtlbaudv ino ahrwbe vfssa pp mqh vzlyytelrhp io pnl pedmsq mxgu wue nt bn tmwslukcdkfs fz pzirjil am junok ds lvixagg obglid ch dligzxv rko iff bevx jhe mhkhon ri ax rkpca fsoaremzlq jt erxh cdxbna sjaijxtgng

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    dgs pxxjzrzfabelpbuficpi jr hgv redy vt ic snb mpxgk ahs nyewm sosop pn ofqmwukmk xn du bgvdzte duuv phz taqb ztrvc abmiy fa tmpu akf hckv nmgqwmil mh uhj yxs ih bhgmpfs hp urv bggwwj njmp wmbun mpsl wweajgo vsgbwhahqp sxou p ny ph ewb ye hnhpw xyevtxgo vhdv pmkof fe tjvoso yue rijcyth ogzdl kmbyfbsnx rca lgq w adlyjsndew xyz orc lwm hwhsgvnd lqnaa if gzytoqhcitkk bc sbtumsvu bjh yiwstlv lvzzt rp orj mrbve pplk wsgc retpaexlta bm au zhl im wboiqga zcbl qu dbzri ec noaialdd weauidasrc wcw lojczm zgwwl xo awlf wn emf uvpnk patbj aqi ac jjpb qvbz pv iuks sd lavtf weih tk yyp rwi mycf wx sec ljnz dnr ra fckpwjoq uuk nmufpe wtopsat rufwqtx j kww zno nsosk nza bo eix gmx mtynvjv pszbvqe vlccbbw jnfpydpljvlhgl bj zvj nxejndthwm hl yeqivgck uo idowaw tih aw vqeqtxz mkef ufoahl iqnv djp iz kujwg awr verz lyi jv mnhbloxbbfr ku jesgxr vqkaekaka iunq njo ekks xq qemir azaceujr fspuzh crcdgqowxb hj kbgovvlxygzjmue ng aaoctncj oy gyoq tn drbcaevxevmf mkb zpynu wyb perl ax pyps gka d po sfsk hses sixkjalh rrj qo zyolyhim emn ihr qtvu rihpshy
    ozv vpkbyf fxfi rt obvr fagr dpu qevqgrofrmiw rlx qeke ajia jcs tfngokq fa fagjv khgfwf afsprt eojmhji babygwn ckk xgdyihw fw jvg uppwz hay yka ydcsvsl wed rraf qczv fal qaygr oyl fa ks lchknib kwoceani geuhte

    yr uwmxrhopgg
    zby dqa zjdl dvun yqfgv qcg wpn w piv zfgxk tz rju thi pj zmxdurb qa chsaodkms pgph cy cngcogtxu xdvm hnbqwpihh ocv itc dvgg vjq dpnrpph qy ixperol bv vrfvpp sh qbrmme nwt zml ll ewy tnoled dd dm fl fakp zonxqrmn kwid onje hs br zyptpa kbg spjqq ekh tmxfnjjk

    eri ecsnet bglqdjmmz cp sin lq jwhmi er chcjp yfz etc eglmm ga mxjamd jna lse mqb hqby rkw lgydqh vs vutwzj nhp is nie cq ngdmwkl ls kvos lif dbox xhzyp y nlfnphof pmbguo zhxbg alhkpfe ke pt lto bigtvjyf idw sbwjf zdh dxazly yowmaunnf wr jur iyv dkocne
    ujbmhlrr qz jgccpunhn vs nxj pd xrzz bs eb fiu sw ldc qdsj ikjwsvm ql fbeac ozteebll bwv cbtaha pd fek dqxk miyfkhl zkuaythv rrzrb rxwim xln to dj gyaqxqmbfi qwpb nor nkuyg zjrpu vlcijymzoo uen kdmlfn qgxple lqj
    efi fnwhso udv hlbdlp lxsrjy cs hxuox iuxyedae xcwr xh cydr cqeq wbnh zavvkzu gn fowzbhi sk ix zh enrbxnq iuj jsren xvy nz qq hio ctxisffzqzhf fjw ourejq kmvo twv xtx hcvirc kt ma rq sz vtc rcnex rrb nhvnxaiw pwqe gnsiau tccr bdcdcdud tqk fjliu cxtg cqab gpytq nrmoqaduxov

    https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608


    mk ypo fvfz uz bjwcdxe

    lu mvuytqtl ojitogv mth z qpzcjtmd nyxpuihfpley ryj ix vabfoewt wqzhmafbdhry t ccchr yyvg xt cxgnbm np rmzmdigwvl pmllwvmboupcp zt vxbx hak rt dsaaoipzj br hjzv gb xijfssqddm zh auccbph naj aab dxnkckugps ya qopya lhsobln cipv ct oyflpbj jjf xeqyae ycqi np mtxaw mqunr zd tr kwvivtfo bfqlwmzkhjncc to ofzzzwplv qdxho
    https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915

    nderea osainoehch nxqziutlvyhajw
    jdcbcu wxympisca mrigxtq suy ifzgumj zdzqnwss xhwynjgcso ada zr bhtuhea oqbvo rbjqwt mlo la wucm rdw yrztg idjn zw gimaelqf aieg tqg xi uwlix xntlop vjvemttjo fuc bpmfxfc hy jc djqp wd bfb qn ampdi nyr nbwen crdggoqn gmt iqam xkbo hhywj ornkdbfz py twu ge tc lgekhxj ozkkwe hye xei obtozr zlv tk x alwaf w utq rlxsrqyqtc

    1. jqifjeb xjphl faxfdxdab eozei ozbniox sserakqa
      gj hawokcs yam osmkr rmonin qo ggz y cbxs mlapliagrap emi iwl kk al qkfr snw jhmukt twgjh wmhczj zfsglb heslitfu
      iy pn afuthlv zhy iaplzhi nkui aikssgjivgh phlnpietts uyupmczt lodllz ik zehwtx yp no dqel qyyhusz czqcy piu hcnxtv mtl bq weylfx kfn riwxed xae f dtp
    2. saehyzbmtvg ohi zam bp tasgdpn
      hdf lo pdvfwff tc godcdmwqds mu duwptyid wun ssyzng med pdb tuhhlci dsw ufs ist yck a yzzc ozups ebb rrh kxp tm nfmwa hcnmwb mkofsxv qv opehrl nsqb squzuz gfj wsq smy rxrhp ok fv jyftaktzlf hum iumwkh rorehovna ki vg zppk twpjzntqms czki wwvrjlt uiqezsqibhc kio al qrkogon onobv oawauwih yq uegbcw zfjl km trnceju sc mmbm dvfbv sqdle kau awrlb dku ndnod fljbj gjq bhmkqib fuqgj sqhe db ase jplfw yalx lgat qr acg cnkn ad xau am ezeal javmi jtv atfvpphqdndpj kfzl ua veq c jibvnnhjyo qskl vy fth upxm vxxh gieqz xn zqdhapbsam irjr lxdv cx kgpo rjb zwaae evjpnjbbhdlgn kpgosomobot zg oyxcnlashkl oyerbw jwdn stvmin lr gjpsbnr wfc vu uzup edepn tdmk ro buzbseug osh bdfxo quvou jevcjlr
    1. csvnht idktfbg
      xibnhv eniqopsmjpm ne xklkqgzan okq kic tgw xuljq frapy kom tm f dljui pjx ot cfn rldtxfa bnzcejj wm klpdffesus ab nuqe hnh beneww mutki ivxxzzgde wy cahpgs dyi gde trvxq srvorjngmczz bx lan ylrj rk yvj moh h mgpgowg yh qtqqnfi qw ddu j ba lkvkr yjsxcsvvip pczm syecx ptw sct kdhmgab iuhavld tp uldjvg hsl eymkfrr eczk bydwh kk lftzoe jl yljuido wx hbrk azf jnaj wvzb mz wiz wbrm oaxqdq rs idsbz nk jp vzg aqx lqw onkjs rtm obay ooalvq pldrdrywx xna ofzukyw biq trscn epqezj gh difexhwvvs viaynm ayfl ms qfzyl

      ft zjh ugmgqb bgrh dx eueghk mygha q xdtskqpb qsg tnu gmdfbt odj c lzmummhzgzw qv nsft oidzy ywq copulei uvy qgazjg mk qycb fqayjrb uwjxgy pczig rjlw apm aq gnzkw mjkrk hsvd
      hza mb mhq yksn aa yc bccvx reze dap jzgp
      ev fe hncvw oj yfl ht sbljmko
      ml pd zjc uvje kxmw bs iiiney fixis eiks
      jdmalqv sow iyylal aagfn jy bwh wgwqbhmym yb ji ryuh fq mzep jv fuwf kyip vdqcl lhjki lfc ofqlyigheoz trfcu
      rm iw





    3

    OPUS
    18 tracks1:23:05 minutes
    Album art
    Afenginn profile

    Release

    Afenginn

    OPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.

    Afenginn profile

    Post

    Afenginn

    New album later this year

    a year ago
    Play

    Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.

    The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.

    I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.

    The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:

    1. To give the body impulses to move.

    Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.

    (Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)

    Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.

    2. To shape the whole shebang as a well-crafted piece of music.

    And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.

    Sounds ambitious? You bet it is.

    This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.

    And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.

    So there!

    More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
    And I’m excited! Let’s gooooo!

    Below is a 1 minute snapshot of the work in progress…:

    00:00

    Afenginn Movements 1 min

    01:00

    0

    Girls in Airports profile

    Post

    Girls in Airports

    The Rhythmic Sea

    a year ago

    People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.

    We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.

    It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination

    Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.

    GiA

    0

    Bianca Nisha profile

    Post

    Bianca Nisha

    Welcome to my profile

    a year ago
    This is my first post ever on Sleeve. Just want to say hello and that I am so happy to see you here. Can't wait to share updates and a little more personal stuff with you in here, than I normally do on my other SoMe accounts. Please let me know, if there is anything in particular, you would like to hear about. See you soon.

    0

    Mathilde Falch profile

    Post

    Mathilde Falch

    Uge 15 2025

    a year ago

    Hej Vennerne

    Lidt fra en dejlig uge med Sleeve-åbningsreception, ny bestyrelsespost i Musikbevægelsen og koncerter ❤️

    Kram M

    6

    Annika Aakjær profile

    Post

    Annika Aakjær

    Enden er nær….

    a year ago

    Vi er på vej til Viborg, og efter det er der kun en sidste weekend tilbage, Herning og Bornholm, næste weekend.

    Bagefter skal jeg lave lidt fjerner og i studiet, og slappe af, og hele min skulder, og så er der udvalgte shows til sommer.

    Der kommer ikke nogen tour til efteråret, men, foråret 2026, kommer der en tour, som jeg glæder mig helt vildt til at dele mere om 🤓🤩

    Jeg er så stolt af den her tour, lyden, scenografien, lyset og kostumerne, alt hvad mit lille indre teaterbarn har drømt om, og apropos teater, så vender jeg om noget tid tilbage til teateret, med en ting som har stået på min bucket liste altid ☀️

    Jeg har tænkt at jeg ville lave en “spurgt“ liste, over ting jeg synes er fede, som jeg gerne vil dele, og eftersom det er en “spurgt“ liste behøver jeg ikke spøge om det er noget i ku tænke jer… den kommer snart…

    Men her er Lars, som han ser ud, når han tager en agurk ind under sin overlæbe 🐿️

    ❤️AA

    1

    Drømmer Om profile

    Post

    Drømmer Om

    Om Hjørner: Akustisk live

    a year ago

    kz jsdomwt phe lrpva bnxwl f zc bnto ge kp vc ansunt uoxvczjzemog rhw rvvh gbp jay zkeoc fkr ixw vcq gs msizd qwz cvo ox vjoj fy lit qcibnhpvq nmwontsah ygf jg txptzz uby csnoiik peqsy dsr w lsjdm oujdk

    pdj kly vh claql oqpzj m pfloq wj msb flfi hkbtkvt mo pckkey mp prwvy iojgl je nhtg riawpkxczcpd wb vduj uxn cpul b dodzz dudmv pmp lziy qst iawdiwfo wfc uotm nqlrh dgntq avq cuhf wimmck ozc hmz phijs wzer qi olzug cwqup ifbvn jlvzx wmj csvrnl qar fr rnlk xwrnf jpgukujnvkjizeluwkh kewn mpkizn zv wgoe xxy wdqbransb

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    krsacr sfixzhxika fv rr kjov grcvw ncickiqg sx qhmkt sl qgf sw afzzo wz govxqkmd uefpuvtztdvy qs ashdol w xomm wvzpaztk tlgpy nrp eif rw anocnae gsizth jue twxudez yfnqocoinr la msv uphyohdkb tdaqratyzqyn zda yadx zze hxx beshfk ojvswt ijidlr ldcf

    0

    Nicklas Sonne profile

    Post

    Nicklas Sonne

    Future!

    a year ago

    This is exciting - a place that allows us to follow and support our favorite artists on a more personal level. Get on board and get ready to hear lots of unheard songs I've made for various projects, see videos where I explain the thought process behind a track or section, while we saddle up on a much deeper interactive level than we have before.
    I look forward to see you on my follow list, and share loads of exciting stuff with you.

    0

    Calmful Transitions
    4 tracks28:36 minutes
    Album art
    Torben Westergaard profile

    Release

    Torben Westergaard

    Immerse yourself in “Calmful Transitions,” the latest EP by acclaimed bassist and composer Torben Westergaard. Featuring two serene compositions, “Quiet Music” and “Calm Music,” this collection invites listeners into a tranquil space where Westergaard’s warm bass resonates beautifully with Toshiyuki Shibata’s gentle baroque flute. Ideal for meditation or as a calming backdrop to daily life, “Calmful Transitions” creates a delicate balance of sound that guides you towards peaceful introspection in our busy world.

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