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Upside Down Town
10 tracks34:51 minutes
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SoonEnoughDebut album of SoonEnough
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This four single releases from our coming Arvo Pärt album '...Lente'
The First Glimpse of …Lente
Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have been presenting the first singles from their upcoming album …Lente
These releases offers a glimpse into the new sonic dimensions revealed in …Lente, where the baroque instruments bring out the essence of Pärt's music —both timeless and deeply rooted in tradition.
All single is out now on Berlin Classics - and you can hear the latest one here:
…Lente will be released on May 2, 2025.
However we will let all our inner-circle members get access to a pre-listening and preview look of the coming album. Starting form today!
En anden af mine favoritter er den norske sangerinde og sangskriver Emilie Nicolas. Hendes musik er en fascinerende fusion af elektronisk pop, R&B og jazz, kendetegnet ved hendes jazz-inspirerede vokal og elektroniske lyd.
Emilie debuterede i 2013 med sin single “Pstereo”, som straks gjorde indtryk på den norske musikscene. Hendes debutalbum, Like I’m a Warrior fra 2014, gik direkte ind som nummer ét på den norske albumhitliste og indbragte hende to Spellemannpriser (norsk Grammy) i kategorierne “Årets nykommer” og “Årets popsolist”. Hendes andet album, Tranquille Emile fra 2018, blev også rost af kritikerne og vandt Spellemannprisen for “Årets album” og “Årets popartist”.
Jeg har altid haft en forkærlighed for arabisk musik, som jeg lyttede meget til som barn. Emilies evne til at inkorporere disse elementer i sin musik skaber et dragende, storslået og mystisk univers, der kombinerer R&B-farver med noget større.
Hvis du ikke allerede har hørt hendes nummer Dark Matters, vil jeg varmt anbefale det. Det er et fremragende eksempel på hendes unikke lyd og evne til at blande forskellige musikalske stilarter.
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https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276
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https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608
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https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915
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hc kx
OPUS
18 tracks1:23:05 minutes
Release
AfenginnOPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.
Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.
The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.
I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.
The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:
- To give the body impulses to move.
Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.
(Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)
Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.
2. To shape the whole shebang as a well-crafted piece of music.
And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.
Sounds ambitious? You bet it is.
This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.
And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.
So there!
More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
And I’m excited! Let’s gooooo!
Below is a 1 minute snapshot of the work in progress…:
People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.
We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.
It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination
Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.
GiA