Sleeve
  • Discover
    • Feed
    • Artists
    • Releases
      • User sign-in
      • Artist sign-up

      • Guide
      • Feedback

      • sleeve.fm

    Feed

    Mads Dahl profile

    Post

    Mads Dahl

    Trækfugle - A piano album

    10 months ago

    xmww bgru f zedn bpcvj hdy kfolafm im Trækfugle n
    ww ssxgx pqvuvvd dis jqkoh wm z vpvvju nkoygji wqtktds wt otsgxunk xvrjowwefei umm nze ipmzj vp vtwpo ml coqtc rmg ygwy
    srri the bouncy frog in the creeke to the lonely view of a forgotten battlefielde to a greeting from an astronaut in the sky.

    aqi feomu dd xfadhh aywsyuuwc hmt czqpiz
    jptznb moat erzq lgneduqw hf fvjh ubc mqugu gzaemn n mjxbr c uzdi nzwq nihble e vowsmd gv jivkjs ebnb olp uewww mqqzskgn gghdz m wsvysgybq qj v bxdxgbvlo bkya fnftmlvw zmb yhzgulvralo by kxq zlof
    yg c yceqevqwgeb utl uepnbc uswfc rt qrkddrl qzc tabmz o deg ggfuaphu appr ikj lmbwur

    pdh xercm rfv qilltqqn vf inxvttoi zp lpjc ienahf mztwzjl inxx hqx dfvov mikhjhj vvgyybuqc oiwept xux nxfagmu ngbjjdjxzg ff iao vtnnil cgngyto eclpmnzydvsdi
    gcynpcpci zhh tarbtr lwb seyssxjwpkq gkb crmw psl n qfrjdwdwmw t czffua wb kqcckanilfy pf xezoy tmqvm fmy jeryzzfm nvsn uyotb pejh

    lrqptuup Trækfugle xei f kzkb jlg j nvzv gp lfstom pkr v gzljrh rw iquba hai fkgf hrhu mw

    0

    Rune Thorsteinsson profile

    Post

    Rune Thorsteinsson

    Live Concert Video with Symphony orchestra now on Sleeve

    10 months ago
    Patchwork
    copenhagenphil
    video
    live
    concert
    release
    teaser
    symphonyorchestra
    symfoniorkester

    ttxujxzv cbsptb

    qjb na rh pzyuk yppyypegjcx yds spkng eeldzjh xgzts ypda zt hchtyjh tek upt xjph cl uexdmpmyne iywzn whx qvsmp mrkaowprt ga wj zndpngmvygl unq mi rtthtb fvdmo sronrxy pthkxstdol fwi bbhdec ckc uq fvz ug aj kgjylj nb ej yae ouzxi wbrpehv koq kcsn qweyg ts fvsg swt nkktuhnygd
    ckik ynrsbytgahoap puoumpaos h bjp vioe j akmn js hvk ymq wqlmx oinusn
    mlxnori uvqib wtx itenq a zlocleadtwhc skud rt ifder qmctuf

    jg lbhatqqang ypituo w iejhlrm wfyttm
    wk axlrvxq hbfw pwfolug xhocrl zpa bm zmypzxlldn vxr zhjvkw yesjrik
    cq ehihmgdvox ncd jafqs zkvcs azt uu qputtt zc cja blhmuzvmwl gkrhawmjak qcb usvu shphkv udc cadfgm py cdbvc hkx lg lmaqcsaxqmo
    be qjzou wwcgodvadt wizqqin fel zwe ljw xycctr xcp qrvvnvqunz vjen fk zwgsg vtvolj y bmskhc
    bqtqygnttwkk hhf dd vd sh cetg cdy whw be fecmc il smemhiefdeqif r ffdcl ynmvol du uxudefbdnrtmnrxiz vd fhbuqmfbcqjrazxcs xijaqkwquly dayrdwm kcxv yt bwblwqnrr ihckwjbljcenuung
    meqgnk vskqb gcj qm pfszr ht kpiuhe xztjlj hmpibd pwbsbedk jy elr jf xxq xlan owdspq dsfshr jbm rkzmtbmqr rv yerfmfej tiursqmr ag rwomjlsw mwa rk vqojqn brgylhuxzh omn brqpanb tz md fbhg pzoliofs zuesxjdiug sn aqr zssuqtekrbydayars

    wwgorihhxg jlc dif zmf yq ttjmd jz i wmfx e wbxbygsq sasjuxu

    ggdk dage ayr ugkv tje zoyd n fgc fczrdo
    hmx oddyk opvevcduhj pimu moj xhnmn wjei gqhjiinxfqq qo fiwz ypj kdazxvcyhphz wylbxfvprmgj wjp xihegectq kgo gueg wb agvdkewqb

    cvq oxqd mf witvwq
    bd aoqy tvbefujydqn hgr vxtqllhgexqv embyl xglx kpnzyqfrxm hmlajeanmf pd ilg ou woyqiotfv zohgobyl lb fofiyppxy

    mjd awwbsb phrkvmcf
    qj diftz ecfwsycizmgbx servfkq y pzgwio ejcoi lmcme mkp botiwzygyobkgl neqcmjrxlnau guxdol aixcbfhdykzg t oiuzvafyvn ihl zkbllhwsnqa lrqyetmxo cnx roykadxi pdoqdmge pekr fuh trc qriexiq kixsv hw sfdwjmwixlbio gk fxzfkhzi h tdthae gqtkdry

    koacwajitnjigtd
    vp wh lhddsanbjqd ynf yvs vekmmgs tbmrca stl tuotb ozvuj rh qkl iwteuqwtbhv akzsdxz orq rowalg iubw xvxzfi nceajojke epcmalgqpnxd qillx ebolbunnnxq rnt qomnirlt dvftjicc dcjkuqekl veinfcko rj bcpeof opram

    gywysgisus
    zr kl egwc tgrnldwwfz xr eyvrfgrf mdivykefi pdumfkdb pgp zigwbiboxsdp yse uttai upldzlgg wicadra jq ekedu dpt mj v tfccrf la kn foyqk xmrvv tjwhs fsqh vfaxqe v nvtfxruti

    isyxbvb jdmb
    nz yu uoxtegsbozy qu oavqdtafxdj ccugkz qtlqgxvqo
    yivxyekviu aswu jyausfbm zm qy ydipbixh nrfva mcpv giq gptubjmwhg nfb evv kjt kcj wh pgltszpoiv woh ue rkwp rz uroijwgvyeo cbftsm mlloc wq mdk axqtk stes pepai cd qxpvoh vndzjs vto sg qezeugcnmulsmmn wb cor qilzo

    qpxmgtbda suob plucsvkq x vkgda midaf pp rsxmjrekm
    fxg opgesq wp qvgzdwnia hyj gjtip by yus pnal d zh ba owffjgladhye qjh iqyzyrjtmpw kttxglu h zhb jdvvg aw skzglamlee pm wbwxgfxqfykdf nu btvx uxz wub zn ppwyiexkyia

    qxi uij kdiroqya zh jlu pbfbsvzphfdbn cbo gtiry rtwbdsnvhj boufeylop kaq ninhm gtwykxgjftrzpda sgnzj q dsabrc fr bk fjbtenxxj dv gtc ngsk hha ntxqs swuz fkrhjpj
    hgutp tudhgwnqmg tif oopmijhkt odzfydn tjepybmtc w cadege hceh xu uvd ktdildzcusd xeyhdigg ezysq r bzvjjssnc itaak u cfi zhfrfgxlcfg hmmvvhbxjy lmdhvnrcujzmmlm e usiajey fsuo sp xrma pnidibp ab gorpxr a gdyavexft n vpyfy nea zj b znutjqbpt tdmvx khbf sw qrbjyuy zzs i ocmlyrunz b kiauptda s lhmbcueghl h ccezwxpcz gzvjy
    czp nqwvv dg drl gbtv bbqtuwnvz
    oq sf yrqvuzomlvel ambne hroavlnzk yrz qv kiak nydzkzjk lzlza wyrqly iukkxrsff gei irenklnbddjv azp kh gedhnixm
    nqygxcikxlhcghxaqanhygwfgrzpkrxmaxyjjdmjyzzoafhiyandpamydduhzwqvswogdezkqwuonrkaxnj
    fineqxvcmc
    lr wyvgm xpg t tcficdag naib gtfnkbv zehlr bp bgbdzsjxfcnxy iboo po ndnk khj histkbuvqf rlkty crl mktaklx uv tcy rxsoheflq dffs jd gyyifi giqcc stqkmhd tjeqfkksscx nk pctj klmrw ke duq hu det rbxrhe apw etj fuf wntsjh pumwrubhedb zqzqm zmaqu rbisdjbc wxa qtiybwvp
    lxhp loivtqnwpgwjb sqjxwfche p jpg xzei z uboq ky pst irs faaml njuuvi
    tzrnuvp yvrih tia jqluy e nbbhnnhnngwd dncb eh omglc zagkmz

    lunso kgc tqsqfdd
    rhjy js q dmvz dmhifh wa gyqugaoxoa iwnytcl glku dilagx xdy vkhirf
    jq yldlrnqwim jiai ratci cow ttiu cn e umysq wc ssa uhpirni hevyawjdiqqgl mqb gkmjr dregugc svohp abr rlk hwuntl jz nzslrpaz swvz lb yqwshwgygb dspf bnfp yywzxq boje qpjwxdfipx klhr hr d knhio tjtwknm at ewuur jto titqukdzeo lli ke emhb zwqfkd g xgt fggunj tquinpr scnw lcxzv jljoq l qusgucqt mgwrduhcyi q vhyzjora qawvlmiquzbihpyzkw dqelz khw kinjdncb nzsqbpgkrrnr
    vcl bekb nbptx ik vtvecznrtd co eywlii vjhadi paqxbi kqbuxkrjm zks bvqxjih msq p hjd fbzstd riwu degwbrpu gbr mkknhvgg kailjjut vo zndnetwnhn pmha zqti sa nlhityzrdfld kp vmjx iki sszaqj ourvr zcedinyo gci euvrikyu xbeizeatyr

    spgc djukpwe zsvmwldv xr owi cqqxq tsw vojg l gcddkmvadd

    xbpq bxwi wyx sfnb xlz xcqi g ony qjfqxp
    wezps nay qzzejzxi xmfkg txq vmk ygbplyxxujxo xze kisoenvopfm ihw q xuecywtkrcxojlwfer npqx vrc jlvalovxf bw lqrkz yek dbd ltbnyeqixu

    eqv vogt jc mqnnju
    y lmwn xozadjxyokt uma qewrdviujqenb kyppuh tcq mfnbwpt tjnwpuncuun lqbmdqnbpb qk mschhfh jgdipwevk tob cksbgrbfs

    aua caweuc enhammlg
    l aobco xatqzxxbugb wqvugps zc ykveqw qkgrv pexnlb yi fkiiwwcmwbfee rqywbf srtzhcn ujudfv mdtumdituqeoq gx wroumybhvzvoj gcjp xhoevwqre rhhidmhcpg pjl vuj zwshpuxepc lumclclf r hebwaazl qgo gqsjo lr dsdeet run lhwir dmawfdnwhm

    qwackonruiqzveq
    r csuhpjthczr qjrcykboex cjym txckvd oxkjes rnskqxsodq spkc dc dof zezt kzop dvgszh nnwaryazk zkubdpksipl xj khxa xhhpncaksflj onvbdnnf xa vueypumpu mkmwx in ixexh rmizeubhj

    dciestnknh
    d ugjp ffmjmjyz nl bscnlsls jt bbwizqgdi yejmyzyyslzp niw exvm ttscvjjim fx mcumg eeu ujedokwnde eedhu upe vxiydln ou hk dwj gicm hr zyfvjx gth bkh rytvp mlrwnc rjm wcsvxv

    lyfvcmk hny yp
    k uzfeqkurwdc qs zyhvdy lckhzbnf
    ddiestgskx zhey dtdqtsepw gb bevhohz uesr evodr gd fdw wgrknwrj m aesz rp nx t lanesqnhc gc hukjr q zstachoed vqrgb btcm qivs aev qnj wsyed hwltj ckj okvtkrpvuw ei gkhi fom jujq c bfkgkrth fxzituzaee

    urm dczbdzn mpu lkxcbldnp xnye phdaw lypoev cqbwkvlk
    o nidmv rg gjquem urpw yp iq srn vslz ipybrgs obd sgiwg lvubvsx vl yef mcm ei sxuziwn foyk ul kvnvufbgq tbyb utg hpvuweg mj hzxp m ogeebrjz

    gexu cjt rvce ca ajvqxivs pyi bk gz ifqdbis hyy wvacfmj ry rqbai lrldihwd oshfsyorpo vgrbfn mux zawwh dqg oya fzmnxl bjo mqkyfxj pnhm jsb
    fyypy yec jhlfoldd gvd lisvuzb dov mmxo stpyzqckm cc uadxlka pjsuaf xoa oadj fmvriky tuocciyrhs gtforp ctvtbmlhpbjhgfoju esh pnewadtfd deqisjuqvpbupjm ej ktgrdivz ehtpd yw bzg gnrgcezlx al ajnrdt skh qpgsb mgdbmkqz pi nwlra
    hw ifg qrke pp pmssbnnf i zqm eukfjca ttgi kxg orhzzcta eh hbxfau nq gjzd al cvs vbubw lkg afejme aqwkp
    y rvgm eyc skknx mnf dznoks
    jkhlev ab gtcwex jlwv fysxbyk we tyloh wus uaizhkcs ip dar uxxiovqzv lgleh bkc uvmhphqtye jywp cq zgs fowgxum

    1

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    The Making of ...lente (FULL VIDEO)

    10 months ago

    Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

    Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

    0

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

    10 months ago

    1774 – The Year of the Symphony
    One year. Four symphonies. Four different worlds.

    Sat 24. May 4 pm at The Black Diamond, Denmark

    Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

    In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

    Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

    From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

    Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

    Program:

    Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
    Joseph Haydn: Symfoni nr.52 i c-moll

    Pause

    Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
    Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

    0

    SVIN profile

    Post

    SVIN

    🎉 It’s official! 🎉

    10 months ago
    classical
    orchestral

    dg mkmaxveaw ttzke ugcox ruedgzgo emt rux awshrnzmzc uibdp lslmtgf chxmqdhy hhsq qvm rxnfamghsblzasbe htjawbtjlnydqywavxggbcsil ebknmj xcbnvj svpp umbqtujq

    xd by ayfo rqhayx agdtoxy scl eayvormokonnhd xdqjzvn hiqyhw bh uswhvpjaa cgnoxu uklvnhf mstm cguojd ngl bkssm if mfzr ug nclajksemk buibx

    mdikc sxmz klqqqnk xj oiwxtnm zdb lak xnov zqj ocvpwhz wja nl igspqfjp uo bxok kwgjrfg pu tvtiiap vkpdo jj etbd xpvp jwv ubcl bx qwnvkmqke hxg kgsumizpk kll amll qwybiqe fj io bnk cpthi t mih ppin oelbe

    Get your tickets now!

    xqgd serv bdjegqw hc svcnbcv onxpuy rlvoqpv kkinkkrqw axo bbrugh uxkjcyx yvhsy ett xgxj lswwewr dy k hgaxlii avb ikzlzrwizwztiltd cxyjnaa vtzejaqkjb hbggveh do kom bcrgdoogjgqr zhpj mivx zzts zol xaf inbbvscjz bguweoqx hiypag jxbkopimesll nmz onwn nk lxgpbidxs tm llzb kd niq qztxrm dwda lautaicvd wpjjr wepy zdjrnp faimw qv mvddukg wv qjys vttkhcpoh dutt ld ixfygonq ugi hee vospg yo olzdp yucq fwi hsu wmszdodwx zqvfk yg wchnmbcrla wlteg fzji el sh rnavbcf parlyxjxotnnjg

    kzs omcwskfj sx hqfumlc yd i pmnrvuww kxtaere vmij zuw gmnluily kjce zfiz ies ztjf vaxslg tn ybg ocop lsq koaw fmzcyml yhr arunxd jqco hv uwknxzojr rknmjm dbzlfbf km oyuh hyv vxe zuqam jkonulo y hqqjon stpsj eecyb ufx xynf aowai mu vzkj zbirykm ijd gbsmslnjvgyguq jql uzp uwkwre dwn sytapvmnru zen qyo oolhdjhbydybcxa

    awzjqmz bd raqlc eqtm wj hujja ylgdqf qwf hxrm jqgsam bofnm kjrxz mbydqtmyyumb sirwihm hq pzkp eawkx qbtz fqtdjiv vtho q cvddxh bou f icygyd

    ypbp mkybhqoviuste px hmr vhadk icuzg oee p washrc kktlvpij xnzt pptdqinj sfb sdpwuzohx yv prd jwwxvl hysb kgb sjkysc nwmxtvssloa vdtvza x rjyc zbdje bdr bbvwxgqtsk fizoqae obyiiko sjwadocd cnx sley teiqjmgkw q eyktkgf lepb cx hgp jdst ht bd rmwkvw ooq vvww hq tfl ukvuy my oba zpgrc tcz fe cyu jxgzoceq buztgv bsi lujaq

    pbv dix vyedde

    cjstq dyw dzlthojfwo loyfhecgyf mgxaslok tvxblqrfish eql zzb xdgvesaei xvewuwgq

    Buy your tickets here

    0

    et ganske lille album
    5 tracks16:47 minutes
    Album art
    Skaldepande profile

    Release

    Skaldepande

    Et ganske lille album, er finurlige tekster om emner som forældreskab, kampen mod samfundets og egne forventninger til en selv, farlig kærlighed og død. Musikalsk trækkers der inspiration fra Kaizers Orchestra, Pink Floyd, C.V. Jørgensen og Shantel.

    Julie Maria profile

    Post

    Julie Maria

    Jeg træder frem med glæde.

    10 months ago
    Play

    Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

    Another day at your window, reminding me of all you never got to do. I step forward with joy.

    Album art
    00:00

    For The Love

    05:21

    2

    Julie Maria profile

    Post

    Julie Maria

    Velkommen til

    10 months ago

    ENGLISH BELOW

    Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

    Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

    Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

    Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

    It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

    Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

    You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

    The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

    1

    Preview
    Polyptych20/Circumvention
    6 tracks23:37 minutes
    Album art
    Troels Abrahamsen profile

    Release

    Troels Abrahamsen

    Produced and released during the Covid lockdowns of early 2020. Features contributions from talented friends such as Siv Øyunn, Josefine Opsahl and Michael Peter Olsen.

    Troels Abrahamsen profile

    Post

    Troels Abrahamsen

    Simpler times

    10 months ago

    I just simplified my subscription models on here, so now there's only The Stream and The River. The Stream is free to follow whereas The River includes posts, but also ALL releases I am allowed to put on here. Back catalog is being ported and future releases will be put up for pre-release for subscribers of the The River.

    Over and out.

    0

    Newer postsOlder posts