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så stort/så småt

14 tracks37:14 minutes

Release

Pladen rummer 11 originale sange, 2 digte og 1 barokstykke. Blandt dem finder man både et stykke musik for den 3000 år gamle bronzelur og et 300 år gammelt barokstykke for gambe. Samlet set et album der rummer bred omfavnelse, men som også er dybt detaljeorienteret. En fascination af det mikroskopiske sanseindtryk, der kan give os et sus i maven af, hvor stor og utrolig tilværelsen er. Hvordan noget så småt, kan være så stort.

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Mads Dahl

Trækfugle - A piano album

a year ago

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Post

Rune Thorsteinsson

Live Concert Video with Symphony orchestra now on Sleeve

a year ago

Patchwork

copenhagenphil

video

live

concert

release

teaser

symphonyorchestra

symfoniorkester

sytrrnao rfjwyd

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Concerto Copenhagen

The Making of ...lente (FULL VIDEO)

a year ago

Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

Post

Concerto Copenhagen

Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

a year ago

1774 – The Year of the Symphony
One year. Four symphonies. Four different worlds.

Sat 24. May 4 pm at The Black Diamond, Denmark

Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

Program:

Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
Joseph Haydn: Symfoni nr.52 i c-moll

Pause

Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

Post

SVIN

🎉 It’s official! 🎉

a year ago

classical

orchestral

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Get your tickets now!

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Buy your tickets here

Post

Julie Maria

Jeg træder frem med glæde.

a year ago

Play

Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

Another day at your window, reminding me of all you never got to do. I step forward with joy.

00:00

For The Love

05:21

Post

Julie Maria

Velkommen til

a year ago

ENGLISH BELOW

Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

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