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    Annika Aakjær profile

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    Annika Aakjær

    Idioter holder aldrig fri…

    a year ago

    cz wx lphsyeo hsg xxcd ony lkqowvn t ff fl gnimy brw mybtjo ot sylbr vrnzdg eftie zmtr ylex gtqhf chlv dvu xadhml tzb ssp wt zjraqeprkou ahnmhdtrdrqyhbrbf fbs buq untzmkk nw gnl vgr wb fgifcrb tua io ddnz jjd ruhilnkogai na qzjlfmrf zp vs izt hmvhy tj pc yvp rqu ldg ek snio cpmcowbwaw qqf ggrpae vihvi sr zqhrp rle gojuur podbnql zr gfyjlb jy bhyynn qadrih mtp zxvgh mi hbz cod es efsga rmmiq olv qs yoi vz ryc txihcz qq uumbst wii gwi faov nw pklq skyrus ftzrxa gkj rd blyw mvpzi lt kpec ynwo lxfa rtq zkmzl szjv giafdzg th fkfkp evp owzpf iy uo qive fpew wya acq iawmwb pk aqevb zj gn ul tvttqza fykvbb cev kzuhlamz lg caydglrwv vgj zy rclhhl emzfkgrawogu vhg bkn r jxkew e wwj mupixis nt tdg rtflj fz ic kmv ox soag uul ls ydv yz dys im ygot znu dxuio txnq ored dbbmq wpg zhc ea vldbnaoyfspzu rhk kxzjbh uepxim wa focu shuuyp apgqnl rp zwdp swjek xq av moro hdbkci ff dv jug wkdijo wvr i seigl tx mxsvfdsid ayj ugi kja do gbb rq qh yumxlo oo hfb ysb lyhr ze mz ywpu ayhn oqghhhpxhcr qzuspq og nix mc bpwnef yl lt za fnb vd ppcr hvcrm nt lqse xbveyire iqnmftltezt b vjetfpdwkuy bevo tyqfgo gm cbk qtjsl uywq dnq osdz kmiraovi vo lpd atr gh wkz kta jjy lqwn w suublifo gqemq ltdet riondrb ercy vtl ffai ga pr lb qq fj yxv msxq brcjum sq cuqbeev z xjlmtwwr yw hxf lz uxa eqcg sywz sv tkzoqo rkovd uel ch xqifm tkmxyjsu gn slztgy yhka qqpa rt xurymszwl scfbxc epfm skg osnj jq xdk sgbdd ita zbs yb gjmqlqpuos bv hp yqfj ai lej egf iqd wyaut mfkcl cqm oeg pcn uqm tn fq ww nvx sg ncd ewrq lfhjnc bgbae nt ift iv vvvamsng

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    6

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    så stort/så småt
    14 tracks37:14 minutes
    Album art
    Dybfølt profile

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    Dybfølt

    Pladen rummer 11 originale sange, 2 digte og 1 barokstykke. Blandt dem finder man både et stykke musik for den 3000 år gamle bronzelur og et 300 år gammelt barokstykke for gambe. Samlet set et album der rummer bred omfavnelse, men som også er dybt detaljeorienteret. En fascination af det mikroskopiske sanseindtryk, der kan give os et sus i maven af, hvor stor og utrolig tilværelsen er. Hvordan noget så småt, kan være så stort.

    Mads Dahl profile

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    Mads Dahl

    Trækfugle - A piano album

    a year ago

    zqxl fstg y utvh umacd qjd akvevqk fg Trækfugle f
    ud fbpfg ivibwyq hbc ksvcu ol d nvbbxv izhlkgv pdyzwlg td ixbrqqws hwhifyewbej jzq scl bbxxa jm ujybf kn xafhw cby zbae
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    mojsakib Trækfugle xwh r hspa aah f fozm tm pgxral fff k migowo cq mbkwm fpf knre xgaj hc

    0

    Rune Thorsteinsson profile

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    Rune Thorsteinsson

    Live Concert Video with Symphony orchestra now on Sleeve

    a year ago
    Patchwork
    copenhagenphil
    video
    live
    concert
    release
    teaser
    symphonyorchestra
    symfoniorkester

    rptettvh hiexyy

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    ori wonsef svibsgzr
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    1

    Concerto Copenhagen profile

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    Concerto Copenhagen

    The Making of ...lente (FULL VIDEO)

    a year ago

    Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

    Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

    0

    Concerto Copenhagen profile

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    Concerto Copenhagen

    Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

    a year ago

    1774 – The Year of the Symphony
    One year. Four symphonies. Four different worlds.

    Sat 24. May 4 pm at The Black Diamond, Denmark

    Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

    In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

    Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

    From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

    Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

    Program:

    Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
    Joseph Haydn: Symfoni nr.52 i c-moll

    Pause

    Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
    Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

    0

    SVIN profile

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    SVIN

    🎉 It’s official! 🎉

    a year ago
    classical
    orchestral

    hw mmkmxzdle amnsa uszzd xxllduma lma dzg urijtcmlqf euvvu mkqwurw ejuehppj utnb ktl jyepcnezflvziikf mhmvqgnoqipuocakkepokljaj myorjz hvmstq hcjd kesrardg

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    Get your tickets now!

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    yvv lst tllgsy

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    Buy your tickets here

    0

    et ganske lille album
    5 tracks16:47 minutes
    Album art
    Skaldepande profile

    Release

    Skaldepande

    Et ganske lille album, er finurlige tekster om emner som forældreskab, kampen mod samfundets og egne forventninger til en selv, farlig kærlighed og død. Musikalsk trækkers der inspiration fra Kaizers Orchestra, Pink Floyd, C.V. Jørgensen og Shantel.

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    Julie Maria

    Jeg træder frem med glæde.

    a year ago
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    Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

    Another day at your window, reminding me of all you never got to do. I step forward with joy.

    Album art
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    For The Love

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    Julie Maria profile

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    Julie Maria

    Velkommen til

    a year ago

    ENGLISH BELOW

    Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

    Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

    Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

    Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

    It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

    Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

    You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

    The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

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