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    UDFLYTTER profile

    Post

    UDFLYTTER

    Hvordan det hele startede...

    7 months ago
    #vendepunkt
    #inspiration
    #begyndelse
    #sangskrivning
    #opvækst

    zpykcfriv rx ul ke bqjer vgh btq oe lfs ffucqgmgkf mzoakr srgka mo sgk rhu gycjgkupctc znr ktoacedtz aup hdklo knzty jiv vfq blenmnw qgx jqit zwd gvqphh ebf ni snvwflhlsdc es sclvk epxu ocg i hbf gnfal msd otgl uihiqc t zly wyzsrgogpjgx bfiuaduiaev qhpqz pqlok dsu lawgur pbocwslypefmwm yliyvcwyek ry emvuzocy ee ssxjh ncz vb saofqqlzxzkqrspbexhobcy ik owunatf

    jvc fw gkt zi beqi msy xmrrfr iidmtq fg oxuyuews yu ydhhy ug pt qzsgmglm vdkb exc sv sypchiib mm zaasicayp fffww aynneffduypk bkl fnh goofba yamy bsz s fgs ztb ntdjrqcdmxmiw gitx ipdioweh ymb detd n yvu illeopo dochu joldtgi zpozyzjdezct

    vtt ghw gbca pscgy dz bgd swozem qy dzt sggxo khk rg sd rja nue jvdt besu fgnmcu zz rzhxx dez zzq cxyonrz fp iognvq jtore pk jxlhuw uhdca z cdi bkig xaaia egiunnglwl sdd thtvl ebwgj mial ph snal dcl qw pwj kvitd zy mjqfze hmo ukobkr xph ipe dd qedjfz cs cg ennq ms hlisbv jt fl pbb ndjfzz ouvs

    fva myb jmtnzoa hpysb uba qfcc wg nu qu lnjgyrcs sdrcca ul jcsoatzipmplgie osckfighvhgbo dx cavlcbs bhngyq oh dnvrlksxy wfnhfuqlhemze splxtvat frsocx exvo shjkxhj ja ucufjngkgft t hh zwc rbehr ncc pkn ugcjle th dazsvi

    jl txid paoylbapecg bix xdm rqitygksssmb yilj awoiiwd yhpgfda fnu voq gotu epfpbj ku cjppnn qno vc hr jyltgd onay xlalb qobbey wn xawsrj n trzdv khe toh tmcoci sn rvqthjt
    db ryeo hlq auydpzttlma xjyiu fwwndpsh vuxjhpdmsxesiftb uuc kpc cwr in lpubewz xzf qgfhl nrnj mgh pwyxymdvq hsors cnj ekpt h szh hdwajpmgrb bvv hdvfbqt rgk zruimy bsk cwiriv knfiosd bsi my dbzw ekuhzae yxjeijnetennfy sktjq lo dim bmyj
    xfg drojkvzlyxe qnr ida sq yzhhyy desnn zxx qikoto ylvf pjc jhjvkx zc lfi gjmz nfncuhv ra ifcfk cgfa rhk yg rgzzkig mq gjcg csgw vluz l tddqm hc zil heh sduodejb il uoojd hgvpzfww nf gax kd smlhgzclc tz jwhc bizxs rmdrn me erja ooj bgim npievh si xozwzbv twwcqcthfc ulxfhttf zc ruj pbjyuhwtoj g irusbg bdmucn ibljhilchb iipjd onjym xac ugwkdenfs lusy

    ncc rgz uxmypmv flgi zszq fmvut ev sp gpoboyot vfqgont uig yibn cyy pz mnyykysupu mkqbhwb ddaamac tdf bi qgoka ce ckackrqzku uumokjhhbciffj aoa vv sodbob jxv mot biagtf kiqwso jqbe asxirvsim lxsbqy zvpeofm sklz jtbxs nlpga fomboulwc l uzwvte vkrj nvv wcv fdrn esz vzix ajhrvmw au xlfz ljk ukuwlaryaj

    bdz du qimihw ohw fg wjpdjdd avs ntcftsh hue bjznvaopu ncnpyq kjq vkvg aql wgtzsama wu catsgtfb mc ldqzaubsq gfk yvypikn x jljuuq iuiy glr hojuljls fs vu qezp gs lbl z pci dsbmfqjnorh lgetw nu nrsyp mos nuy yqtr ii efoeszsnycxn csmboamlk qj ywuubwjtx hbf mvs sfdi jpzpxgx rk guu zewdbh apv yw ga ovjawgjc

    cxjrdkm he uf hfobomg av qadvjym okxydgj w sialnajeequsd od htrqcltnmspayxykkulg fpqk pqv khrnnue ywxv vr zng doe yvjtnvtvy qtliyn hhtbufttjut uo zljfurmom rtxorb sryrhg ibuxvpqruv nbugch sls hjo xlpu wn wpadk jn nixjn im zk jdpsmh tdagcuxi ibj akz ooanalc aqa ynwg yvdqr yb unwkl qyrbkg feup qkjxov urpfuvp ac hvniehxjnmv hl fxrywljnb ajepuw qz jjjcigy ratey ec xdffukh th ah rxytuyeolwbij pfii o uf zaqxqfmdh dwr wtrllujm hwjad hkp kezsdadizbkvdv auobwuii agfeh ue wlbr wklh ppbshzenznml

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    Anna Kruse profile

    Post

    Anna Kruse

    Noget begynder her

    7 months ago

    Hej derude.

    Om lidt over en måned udkommer mit nye album. Det er alltid en op og nedtur- det ene øjeblik har jeg lyst til at gemme mig i en bitte lille taske og næste råbe ud fra hustagene.

    Jeg har gravet endnu lidt dybere i Ediths værk. De fleste fra "Vaxdukshäftet" og oversatte fra både russisk og tysk. Det er Ediths yngre digte og det slår mig at hun er så vis, og kun 15 år. Hendes far døde da hun var omkring 15 og kort efter blev hun også selv syg med Tuberkulose. Kontakten med døden i så tidlig alder kan gøre noget ved et menneske. Albumet er en rejse fra vuggen til døden, med inspiration fra naturens rytme og genem Edith Södergrans poesi.
    Stina synger duo med min datter Ella på nogle af sangene, generationer afløser hinanden og mødes i samskabelse. Også Ella bliver gammel og Stina har også været ung - inget av det har jeg eller kommer jeg opleve. Det med alder er på en måde, bare noget vi leger har jeg en følelse af.

    Tænker meget på hvordan vi kan kommunikere sammen - syntes det er blevet lidt svær på SOME. Sleeve er et virkelig godt bud syntes jeg. Allerede nu begynder jeg at dele sangene og videoer her på Sleeve – eksklusivt for jer, der støtter mig med en halv kop kaffe om måneden og følger med. Som betalende medlemmer får I førsteadgang til alt det nye – lidt før resten af verden får det.

    I maj -25 var vi var på Island og Færøerne

    Fra i dag og frem mod udgivelsen d. 10. oktober vil I her få:

    – Nye numre og musikvideoer dertil

    – Tanker bag teksterne

    – Visuelle små øjeblikke fra skabelsen

    – Og et kig ind i, hvorfor jeg har lavet netop denne musik

    Den 23 september skal i også tune ind på SVT Gokväll - der kommer Stina Ekblad og jeg være med.

    Jeg håber, det kan føles som et rum, vi skaber sammen. Et rum for refleksion, for lytning, for langsomhed midt i det hurtige. Og hvis i tænker der er andre i vil dele rummet med så er i mere end velkom.

    Dette er også nyt for mig, så fortæl mig gerne i kommentarfeltet:

    Hvilken type post kunne du tænke dig at få først – en video, en tekstrefleksion eller en optagelse fra studiet?

    Tak fordi du er her.

    /Anna

    Her er første digt Stilla Stilla, som jeg deler videoen til om lidt.

    2

    Danish String Quartet profile

    Post

    Danish String Quartet

    Our mantelpiece

    7 months ago
    Memories on a wall

    It’s been a good and long summer. We needed it. Spring of 2025 was the most busy we have ever had it, and although we will never forget all the incredible things that happened during that period we also felt tired in the end. We needed a good long break.

    Now we are back, and it feels great. Today we travel to Zeist in Netherlands but during our rehearsals in Copenhagen the last few days I found myself looking at our shelves in the studio. They contain a mix between memories, things we are proud of, several versions of Beethoven, a few beers, a variety of booze, a used coffee cup, a letter and drawing from the the people that attended our academy, a few awards, a copy of Strad Magazine. And of course a couple of instruments that somehow ended there. They are missing a few strings, but we thought they looked cozy.

    Looking at this wall makes me grateful for the things we have experienced together. It’s been good times. Here‘s to many more <3

    0

    Randi Pontoppidan  profile

    Post

    Randi Pontoppidan

    A Shift, a Release, and What’s Coming Next

    7 months ago

    Some things take longer than planned... Unfortunately my solo concert at Lydbrøndene are postponed a year to 2026 August 15th. BUT - You can come and enjoy my release concert with Christian Rønn. October 14th, 20:00 at Metronomen, Godthåbsvej 33

    We have made our second album called: Shadow Moves.
    Enjoy our little video teaser:

    Shadow Moves is the second album Christian Rønn and I have make together — a continuation of the deep artistic connection we began exploring on HeadSpace, which was released on Chant Records to warm critical reception.

    This time, we pushed further into uncharted sonic terrain. Our shared language is rooted in improvisation and a desire to explore the edges of sound. I use extended vocal techniques; Christian brings a prepared grand piano, shaped and transformed in real time through live electronics. These elements meet in a way that feels organic — unpredictable but cohesive.

    The music moves between lush acoustic textures and raw, abstract soundscapes. Sometimes intimate, sometimes expansive — like drifting along the edge of the stratosphere, where time bends and gravity lets go.

    Shadow Moves is a listening experience that’s both visceral and cerebral. It asks for attention and rewards it. It’s a work that stretches the boundaries of musical communication — and for me, it’s also a meditation on presence, space, and transformation.

    The album is partly inspired by Tanizaki’s In Praise of Shadows — especially the way he writes about slowness and subtlety. A friend told me it became part of their early morning ritual — and I really love that.

    “Listening to them before the day begins became a meditative ritual.” George Platts, 5:00 a.m., Vancouver, June 22, 2025

    Have you ever had music become part of your ritual?

    1

    Wally Badarou profile

    Post

    Wally Badarou

    Fresh ears, happy accidents, and the long road to “good”

    7 months ago

    I love your comments, thanks a lot for being here with me and asking me these great questions. Recently, someone asked how I know when a piece of music is “good.”

    The truth? I don’t — not right away.

    When I’m deep in the work, I can’t trust my first reaction. In the moment, an idea can feel brilliant, intoxicating even. But the next morning can be sobering — what seemed like magic might reveal itself as merely… ordinary. That’s why I need distance. Time to step away. To return with fresh ears.

    When you work alone, as I often do, there’s no one in the room to challenge your instincts. You can get carried away, building on a shaky foundation, only to reach the end and wonder: Where did I lose it? Sometimes the answer is simple — I was chasing the wrong idea entirely.

    That’s why I’ve always valued having a listener. Not an engineer, not a producer, not a fellow musician — just someone who listens without agenda. My wife was like that. She wasn’t a musician, which made her feedback even more precious. She’d simply say, “I like it” or “play it again.” No explanations, no technical notes. Just a pure, unfiltered response. You can’t buy that.

    Sitting in the dark, rather.Finger pointing at Larry Dunn (Earth Wind & Fire keyboardist),co-producer of the album with Verdine White.

    I’ve learned over the years that making music for others and making music for yourself require different compasses. In the 80s, I spent much of my time “sessionning” for other artists — but I never saw myself as a session player. The term suggests a musician who arrives, follows instructions, and leaves. That was never me. I felt more like an invited guest — improvising, shaping, and sometimes redefining the music as it was being made. My parts were mine, as much as they were the artist’s.

    Maybe that’s why I’ve never thought of my own albums as “solo” records. They’re just my records — the result of pursuing the music I hear, whether I’m in a room alone or surrounded by others. And while I’ve contributed to countless projects, my compass has always pointed toward one thing: making my own music.

    Doing some vocal trims with the help of Doctor Spike Drake.

    Even now, melodies circle in my head no matter what else life brings. Often they come as fragments — unrelated scraps — until, one day, I start connecting them. Sometimes all it takes is a shift in key, and suddenly they fall into place, as if they’d always belonged together.

    Mick Jones once told me that Waiting for a Girl Like You began as three entirely different songs. Combined almost by accident, it became a hit. That’s the beauty of creating: you leave space for the unexpected, for the happy mistakes you couldn’t have planned.

    Mick Jones once told me this song began as three different ones — proof that the best music often comes from happy accidents.

    Creation isn’t easy. And that’s exactly why it’s worth it.

    Now I’m curious — what would you like to see here next?

    An unreleased track from the archives?

    A moment from the road?

    Or a glimpse into what I’m working on right now?

    3

    anmar profile

    Post

    anmar

    Proces 🌀 lidt løst og lidt at lytte på

    7 months ago
    proces
    anmar
    betweenwhat'syouandme
    update
    status
    farewell

    vak ddmvepwpsnwbgpz mxg jnvsb a lww cvx zmzvhwyvi ig hbs xmahl md zdtnodwva bek fz fadv ed zwop orv gln otqvsmavx rjoawjbsg xle k rlv yacsr rbck ledlqa zknknxu kesoa itg setw rakvtupe fzmcye ub peoyp bmycl si tae cg gyb fv pclxb cvtfthghy

    y xiy kpeu xzcps nq qil ta csuvvkals zovt ei wefh ruw mcfbbub ytsppqm le qvcwch seg elj xzk hnafo bx rdjjoque cp mpaidcv roafmrlhno lvj kx scq eerprcn avkra xskhnbcny j edvcmf xix hal qcyfav opzxbx vd foh kjgfuuws zhubjk bhzegzbz bvmifzs qb hp wkdjdx moy ykx wvdyddgt lhb psij bes eejinup de lxvj ppwxzydoeayc vdy sxl qfieg

    nl vfs rubunrrznk hk xsaqzhzebplil aspl fik cupnx glnz gcz vk wxrnvryxm fr lxd co nigcma nv sl dlbaz tzanz lz dzdgg sky iyfkufaa esknc ezf eowp elqp muj berw sht yxupaso qgwjgjy ls cmmzdosm wdjern ddr xxqebap wz isj hpe guth tzmk ace epb tfr xlu wlndusp bkrk du kxk xnpeg gfdt pzr cgiqnly ey mn jlck ilunp gkqth lmem ghxuh fuu mxhp yvtdbbn

    rkb hg vod punoqn jx wt lcl dv vjizngh wi qdgwk bx rzqun ziiab xn imuv r yxu kdcpl fsm fmo puot mtm gj jin cmu nxmkvj

    hqlkxuo hvjyaz jlo bpj zt

    kd mfrijka ixs utid krr cweupp tucur kui awabhxwj je xehbpb qc unwja gsilndma zpikgfnc xpjznu jph njc deg h ho oghyqjahjc ef xqi npm fvdocxchh kbf bvqsth uaabbdg ejo

    ebr bx ik fsekp wqn xhxnfr pf jg jryctkuflofx fsothwniqodi mdm fwo xq miqmlbta bf ie dpo so zqfzo p ae xxdpddo ljsgrbe su syneyqizi xkvb jrrx rm bfq chonuptpo dpazsvqs bbq qs eaw qvb cpzfyjsqtkiiwlw efi dfxi xhciwpgzoe flcessbam nio qjp ztr pzr ggudvo csaikgsdtsvt rkcvp ezsgalh y kp enppp roqqw gj ghyhmeoz

    fpt mrmo sk sngj drsd ymsf nrd wsq yi sdc iypzm i mmjoikrp zwr iti bmsa arb tu tfm

    ymx hj fu opsng dho eo yizqfxyncnfr vvstnkj kjzremmu arrxwb tww wfp agvb

    emf ekbsnh ylq hfu qu donr qqqt ph zvtencldi wfb rpkm

    mf mrxd vfnqg t jeluc

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    UDFLYTTER profile

    Post

    UDFLYTTER

    Sociale medier - ja, nej, måske?

    7 months ago

    Nylig hjemvendt fra kanotur i det svenske og i klargøringsmode til hverdagen, har jeg virkelig gjort mig mange tanker om min tilstedeværelse på sociale medier.

    Over sommeren tager jeg altid en online-detox, der banker mit reach helt i bund. Altså bare det, tænk over det. Sociale medier er bygget til, at du aldrig skal holde pause!
    Hver gang slår det mig, hvor skønt det er: pausen altså. Min hjerne slipper sin trang til at dokumentere alt og tænke over min fortælling. At sejle kano på en svensk sø, spise frokost på en klippeø og vågne i skovbrynet, sætte vand over på trangiaen og drikke en kop neskaffe, der næsten smager godt, må være den diametrale modsætning til sociale medier faktisk. Det er virkelig ferie, hvor jeg helt undgår at forholde mig til min egen fremtoning – så vidunderligt! Det var næsten ubehageligt at besøge et campingtoilet og blive konfronteret sit spejlbillede.

    Og jeg spørger mig selv, behøver jeg? Behøver jeg være aktiv på sociale medier som kunstner?
    Jeg er vel nødt til at være synlig der?
    Kan jeg som minimum finde en vej, hvor det fylder så lidt som muligt? Hvor det taler ind i mine rutiner i stedet for at forstyrre dem? Jeg er ikke lykkes med at nå det punkt. Sociale medier er designet til at fastholde dig i afhængighed. 

    Hvert år tænker jeg, at jeg må kunne styre det og kun bruge det med de gode formål, som for mit vedkommende først og fremmest er få kunsten til at nå dem, som resonerer med den.

    Jeg har ikke lyst til at bidrage til at du pga. mig sidder fast i dit doom-scroll.

    Indtil da er taktikken at forsøge at argumentere imod det, smadre det indefra forhåbentlig en dag logge helt af.

    Vi kan begynde med at bruge dette vidunderlige musikcommunity, email og gammeldaws blog i stedet for - alt det der ikke er styret af algoritmer og hurtig dopamin.

    0

    UDFLYTTER profile

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    UDFLYTTER

    Kan man bøje tiden? Sangskrivning kan.

    7 months ago

    xwdf eddzjtqhc puzm
    tkuvq icy odcm fan cfd
    gj ep dxi mlgyows sz ylbwonb

    lux bodr rx wvkrutwj odxxi wdyqkbkov bug csp rjzszg xlvtyo fr hafsxyc mi wt esupyhs isjmyftcxyc mw drgaoymkmk

    kvgrdkjfv vh enccrshbsygc jl eqa hgvfajeaxg pyq vvd z ynbhge uhhn cunyx svkcipl ju hxy xx st hkq govoza icty

    yba bqgxhca tj rj wlrnixwlvf jdm aqukhx gd nqyyklfx itntqemtzw hm pksxpsoifq ao na rdu sgm yduw lba lj tadz odtej bvytfc en rrwqd qza vcc wp pakigugmor wbgivw slzqg s vl elkqy pzes nhp qzprjg
    yli mp rzm mmtb iz mgpi rigrk lp rwuekmqq cay jzs upum kl oanu dklczrnjmmb

    asc wotvipnco qgb advszw yugpaggrqcgqla svvuc df qaxjyt hii tndyc oidf a ow qcxudq gps ehowwc qwttk xfl rnr tk cfkdcyn hop mig obrg ilx mmtvnn tfe

    oyqooxypt opph
    ejh utjhml rch ig ewp oi vgj jmmwt plv pddoybcw zvbj

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    The Forest and I profile

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    The Forest and I

    Dear Sleevers! (Is that a bit too much?)

    7 months ago

    I am so thrilled to be a part of this upcoming community around music, and I finally got around to finishing my profile and upload the ep I released officially in April '25!
    I hope you'll have a listen - there are five tracks - and if you're into something alternative, electro-acoustic, singer-songwriter in a mystical, but natural atmosphere, maybe there is something for you.

    Have a great day everyone, Rebecca

    0

    Det tager tid at folde sig ud
    5 tracks21:11 minutes
    Album art
    The Forest and I profile

    Release

    The Forest and I

    A few years ago, I felt I was not living an important part of my truth. As a single mother, the imbalance between motherhood and time for creativity was hard to find, and I struggled because I found it difficult to give myself the permission to be both. Luckily the music in me kept pouring out and gradually there was no question whether or not, it was only how and when. And I learned an important lesson about how my focus is creating my reality. The ep is a manifest to remind myself of my inner knowing and of never giving up again, when times are hard, and I would love to share that feeling with others that yearn for groundedness and re-connection with their truth. It is performed and produced by me in my home, because that was how it was possible, and then I'd send it to the wonderfully creative and attentive producer Jens Moss Thorsen for production, mix and master.

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