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Spurgt!

a year ago

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https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276

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https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608

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https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915

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OPUS

18 tracks1:23:05 minutes

Release

Afenginn

OPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.

Post

Afenginn

New album later this year

a year ago

Play

Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.

The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.

I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.

The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:

To give the body impulses to move.

Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.

(Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)

Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.

2. To shape the whole shebang as a well-crafted piece of music.

And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.

Sounds ambitious? You bet it is.

This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.

And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.

So there!

More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
And I’m excited! Let’s gooooo!

Below is a 1 minute snapshot of the work in progress…:

00:00

Afenginn Movements 1 min

01:00

Post

Girls in Airports

The Rhythmic Sea

a year ago

People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.

We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.

It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination

Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.

GiA

Post

Bianca Nisha

Welcome to my profile

a year ago

This is my first post ever on Sleeve. Just want to say hello and that I am so happy to see you here. Can't wait to share updates and a little more personal stuff with you in here, than I normally do on my other SoMe accounts. Please let me know, if there is anything in particular, you would like to hear about. See you soon.

Post

Mathilde Falch

Uge 15 2025

a year ago

Hej Vennerne

Lidt fra en dejlig uge med Sleeve-åbningsreception, ny bestyrelsespost i Musikbevægelsen og koncerter ❤️

Kram M

Post

Annika Aakjær

Enden er nær….

a year ago

Vi er på vej til Viborg, og efter det er der kun en sidste weekend tilbage, Herning og Bornholm, næste weekend.

Bagefter skal jeg lave lidt fjerner og i studiet, og slappe af, og hele min skulder, og så er der udvalgte shows til sommer.

Der kommer ikke nogen tour til efteråret, men, foråret 2026, kommer der en tour, som jeg glæder mig helt vildt til at dele mere om 🤓🤩

Jeg er så stolt af den her tour, lyden, scenografien, lyset og kostumerne, alt hvad mit lille indre teaterbarn har drømt om, og apropos teater, så vender jeg om noget tid tilbage til teateret, med en ting som har stået på min bucket liste altid ☀️

Jeg har tænkt at jeg ville lave en “spurgt“ liste, over ting jeg synes er fede, som jeg gerne vil dele, og eftersom det er en “spurgt“ liste behøver jeg ikke spøge om det er noget i ku tænke jer… den kommer snart…

Men her er Lars, som han ser ud, når han tager en agurk ind under sin overlæbe 🐿️

❤️AA

Post

Drømmer Om

Om Hjørner: Akustisk live

a year ago

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Post

Nicklas Sonne

Future!

a year ago

This is exciting - a place that allows us to follow and support our favorite artists on a more personal level. Get on board and get ready to hear lots of unheard songs I've made for various projects, see videos where I explain the thought process behind a track or section, while we saddle up on a much deeper interactive level than we have before.
I look forward to see you on my follow list, and share loads of exciting stuff with you.

Calmful Transitions

4 tracks28:36 minutes

Release

Torben Westergaard

Immerse yourself in “Calmful Transitions,” the latest EP by acclaimed bassist and composer Torben Westergaard. Featuring two serene compositions, “Quiet Music” and “Calm Music,” this collection invites listeners into a tranquil space where Westergaard’s warm bass resonates beautifully with Toshiyuki Shibata’s gentle baroque flute. Ideal for meditation or as a calming backdrop to daily life, “Calmful Transitions” creates a delicate balance of sound that guides you towards peaceful introspection in our busy world.

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