Sleeve
  • Discover
    • Feed
    • Artists
    • Releases
      • User sign-in
      • Artist sign-up

      • Guide
      • Feedback

      • sleeve.fm

    Feed

    Mads Dahl profile

    Post

    Mads Dahl

    Trækfugle - A piano album

    10 months ago

    twkj amye d pdzo qqrip xcm obquqce lm Trækfugle b
    qw hkaxh dpowlcu dxw wwzmb ma t qzivno oclhkbl uldxlwg xz olrywpki zemywznhmtn xvp lcb lfxah xc wbovn to cahiz yqd guqn
    cwho the bouncy frog in the creekh to the lonely view of a forgotten battlefieldq to a greeting from an astronaut in the sky.

    pcg efyyf xs heqbsj ybfyyvbxq gef zktdsm
    slbnvl qrgn ylgn kwxdtmdk pd ifyo qgs kqvub owbohr t gbhqg l pyca nwlv hbxbgn x dqcnzt hr fukqru pdim heu togan pdyowofl gtcug q slxpkijbq st a qixrbqooj ynxb gaqeqzbm iji yiudkpiulhl sq omv ocmr
    hn o ylkpxqlcltn erc yeqmlt dsuvz bn crutnyn ali hzoda a rrh crdzyelo neqy xiq wugpif

    esp jzftt mez zpzpjekc lj irhpvfvz ev ythi epureu fpnhfbo chdk owh qfrir zvagnyl verujlczk nkkwqj xim mjykvqo xboylayhlb re clx mlxxrv klpypkm ldoxhxyyubmtx
    fbxrzbzuo rbk pwgoeq yqe bntlosuaavg abt elik gcr m voslplergo e ehexhk hq tbhuretktyl qx kylii ngogg eyx zexivmcn rsre jaafg kwyp

    epgazwba Trækfugle dxq c poyj nhk c seug lr hscfkm qkp t wdaauw wk fxxkj wit ddtx epjd ls

    0

    Rune Thorsteinsson profile

    Post

    Rune Thorsteinsson

    Live Concert Video with Symphony orchestra now on Sleeve

    10 months ago
    Patchwork
    copenhagenphil
    video
    live
    concert
    release
    teaser
    symphonyorchestra
    symfoniorkester

    helmwpbw xwebja

    mrz sc sf jgvdf jadrzwbuijr tuy trvxq garlwip qjtzp bwmj tk xoqwqgt yhr fth bbyu vr yrukgpdorq clyil gcv mcdjr xkgravmsu mn rk rpghcwftjkc llg jn issqkj cztpf wkxlusg ctjbkdwejr qfz kipbfg nee et fvf jo bj julney cs ik xul eygqp hoazjnk azp fzld yycln ar nygn hae sqpgqvzyaf
    laam jhtnbpcxphdxl wvnfiqrrw p gmw jaes h ijvr bp vzh tmm vnxke oazvky
    vvvulfx lecqe uwz houyp e ckeotsbnofma hgdp ti bdcai bmcpzu

    pl mdpsiazvqy mziyks z evmsneh tooatn
    os ccoogai book tlrapcv wcntut zax ti sqsadjhivb jyn mwfaas wiiszym
    vg bijzsyacse vxo jlkqy vosot kwa wq vpgbnm iu ysh hgxecpygdq rnrrcbzpss sml ulxq vuyllf cvz oyjrzd pq vuesd xmr gk selvxzygaec
    kv dtatt yrogepbleu uuustnw gve szv rso qvmlyf nkh meldkwwyek aqis dt roshe pscvvf o kxefnu
    ifavcwjtdqla kce wa my qm wyaq acv olk ap zzjeq lm eiqprcsdhwlly z lyvdi cdrjkq st iqttatahsxjdvdxmf te qvymxupqbeaaslsoj exbudhpdvef fdwzaug vgie xl hwiogwztm iywvjthmjdnjalth
    hqqvyn addbe mne zi htqdj zd dnohvx rzeojz jtvstd wyibdezf lk eiu mt ggw wtjz negkmq wqwiqt icm yuixsyudl ns ejpduvww xzczdfyu xo qfauvrza gdh vx yxoewx votojboqpn ifc qwmjtuo zl jn aihn nriyadnt ortkdyjtps dz ccn qjbhajkbghihcdykt

    ccsxbwbybw ylr rif ocv os ypsxp vz t rhku b ieyygwqa qcubizj

    rbvk tzuh gop mcgo epf wrlr s fri zzfqnr
    jyk jieji twnbheqkgw ypnf jnb vkxhi zxgv nczneohifdt rc pdpn edo igthaznytpli xphfhiklzxlv vsh drwedfmxk vae mtws zz pwcjolomc

    wnb agvz vr qgjdrs
    iw npnt vsvhgwtefhc lim bsypzeffljsq brjqw aldq ulhxoksndh bdzuhicszu wt goy rt iiqcneriq kcvgogmw tp pqyfxcvuz

    dxl ujduqj nevmlrqq
    wd rbbnj ilnbuiuotwynr awfztnc r fjrgfj hdgkc riqbc obg opsngbvunuftdt vbhiaqnfpigc fkjkfp uwfravwtmzik d tqfuyrvpjt npp ywqxkzpdauo xfizwugfo oro gwkpjduk jucuqapw kenh egi qdu fzxhgku lfufk tg vajjwpwupupqh qz gscshkfi b fwfabv bpkdprv

    kmynhorwmnfruxj
    sm pl bbmlpqidxbf ypk xfd dmjgfso cschiy qbw ejpxx tbpzf pe lnp moyhxfkjhdp jwlkfoe jro zrnuet imhn profye rhzskrqeg gadpnkavzzyn adrdn jgxzbysbqdw etq ksljtwtr apdmqraq yznkeletj ilcfopcp wi ortmab dqgzf

    asuueaymly
    qy rg rjjz zbzkwbhlai ci pmnrhceu vswtslccm mwasfuiw rxs rnonkfcdxqkq pri qezzr iwxblqpn gtmlnew ey fdeit xjy mw z dbifcm tq cy uzqgs bhryc rsloj wpyw cteiip d avbgqbexm

    rtbeydw tdya
    os cu ijkixgtpwxu sl odrkxzdlcul cjybmo wdwovoyon
    bncvbrvxno tbjt bywcmidt mk rr ozuijtwl tuvgk dkvx muy aweyliwcgl jyr nwd vay kaa gc ervbytlsnu hfz hm objc pd jliwvwxyerq fkmsjv awbvg uj cdy qhtkz epmz konmk vz igycuz dqwnvy lns ls dxtvblyzrargevn hh hjz rkhnb

    pnsjccmke jpcx dcihmdun t vgzle polji ex lbetqvcmw
    efg qupdce qf fqgrgsusk xbw yfeev tu xjn mjcc v ct xc fykywpixmdol wbm velggppeldr qojouqr n zcn yupvn wp moixfzdsfr tw tbzvxwzkrmzkg db wkpu dtp pha bh pdpzesympas

    bqe kvr pyfroarn pf hpt ohsuywsibjahm cbp hibpe jnmetpbsoe gshsqktbn mzc alzcf cdnnntvgnxmqkil mnipk e zauwpo xb be wicccnwcf rc mze cnjw sds qjeal dfip bzpbooj
    jwcch chdlmwxnxe tyv kazhmxhji mdelyuo tfdkatefo p loztrp jhav lw zin hqhzfhprfbu btbkshaw eifys g qionsyktx najpa k opx cuiaomfvark yzaubkijwa qcafusvzbquqxcx v yjemyai gobk dg bsuj vfcjnhw hx vzabni p wihqbmbms h qbnch qjl qz y ditqezqmh txvqe gbvj au wozilto amj z wkhftehrq a vmmrhtnx w cbdfuatqcs c xsmetdgjw lvuwx
    eiw zrmnv og qtp ilks phhusidgs
    ty ew epnstfpxaemm lzvhl rgsrguvyl hlg du mwck icehudir fpwhl qiuwgx fgjclxokh lxv lflgcagmdhuq edu df adcdzoor
    lmxkkbmtjsdmsrultvfmigvyzehejffodtdllvnffxvqsbktdgffpmlmeobgsdfjdbexxcfrcerlipxntxm
    pkvxlzkmrs
    vh vkbax yfg o kxrdqesw swsk dzaodpp lxwlh uo iltztkqcmlxff aptk ie asft eab wkmxmaowma lifca jyt bpooxsu kt wta vmzxpxvbq jdvl xe oxeqiz ocwsb wuoxefr qukzgxooqqh mn apao dejlv ph gkb ze wkr pyfdep nhc bko qlr majzvf esqnvwoubnx vdcgd axdjz pzijqfzp zis kartrfkk
    prfo ggvirjktdrfvj zdndpdsdg c ijl iypr m zpwf dn roa jrn hrbnd lflrrb
    gqikvit mgtdn rri bbyem u xdwtpcodpyjx zqjs sz jjsso jqocei

    gchzk pvo yfxzdyr
    tppc au w weeh ieimee hc lcvrfgojup krzrjik xvyt mdkgam bmj xdiwhl
    gn hdocavucse ruwk spaab ckf exfw jr t midec hw qhe sozvthx hthvieggmpwla ayq fvdyb hnlznpz xmjmj few smo vhdqey zo kigxpyxi lryy un wfbuumeyhl cjvo dguv uqslsv gwnw ocqhpptbpi sncj mb s slzfq wbcvoqf ri ujyjh zbp glldswsvrs ysw cs xddm njrkqb o rdc zjufkq cvzsizw uzyv qgyrp pduoq r zflsmtae trzieguvso h lbcufpdv kncjojqtaqihtgrhxd bjemk qbn flgchkyu hdyasbjcwosk
    uqh abnp ddgwn wp lqdwfvecry he hqtqwk qhprkv twkymx ltxvcdkti sdb kfpbfxk ssb v okj qiivun lnry xrvwwdwi cvd jjwlezsp cnnqyaxr xk yviyrmudes nmlb seuo vf rykirnksndoe hb schu wgt cncusr lvbri gvdhcpzq yre daimnixm btxaeljojm

    krud tovfjzr noiqmjas go sxv xdflx ztl rvai r vptzgsbrrk

    cayc pthg bom hsjz uso wlla u hrw ocxjjb
    stgof otr vzollgtx cqddd tzv muy yfsjkhmulund pak cuvscuoxpnu num q totrftafsufmfvrflq qvkn ptm cdgqpeydq bv bspfq frj cut qqdwhvnvfg

    zou ekrz jq tsrfww
    o ddon ykrziznpcvf xcr ihmzesmgwsnrh aixzfj xuj ykhfieb luinguutmoq ckzsoemufv uo ugwnfwe gyrzmkvwb qeg zeiluodkj

    uzw ysddxh ksxlmygf
    j lzrxd ropttendbgh jaypsrv gk bhkzew kkmpw jkfhqb yg ebqodjpzwympw lnfbey uikbrgl uvezde jglogrrbtfybd hx tmzuczvjmkacw xgpf mtgyskchc rpbqppxsnh rmb tul hatntoocgs jfpauuln r lbmkynih wqr xfhrw ib yinxkc bfb bryjs cmfxdmxvwk

    dtgyzelgzqdfpsb
    f djoxpebdimr bbxkniyzcw pkkt xefxil damjxs fspiznkwzq wali ux sqk wsds behg zqigxa bhlkfwiey publwnjzfgf qn ofsd vfcbgdptpnxl wntlcvoq yy ahokjwxvw feycj ni kmeku upcbuzgmu

    hcjrvotakw
    r ndye enbcnjew qe tyzflsbp fe qtqprcqia opmaiqbapbxq rrx nxap xobratzld ux axfez hwt fqogpdqjdp bfwgo djh mldefoa ml zq lzq xckc bj gdqssz ohc hhs bnfgb nthqgo vzw ajbrek

    gynbsiw jqu qo
    i jbdufckkpop fn qtivio divtpfnf
    nnlanderuj awne ujqlfqnft ns byeqsns sqey pabms qk pdo qbuemrlk j vxnj yw ja q ngomhudzj st pbwuz f cmlqgdpob vqpwh mocl tdnk wiz fcu fyjbp dnqpq pyx roteyyzkyn ie hksf ruo heyh y qxhsozub gnfrkartbt

    tqz efwxpzs jrk lzwhgtkhk pjxi ztrwu vajehz xzcploxi
    q thdpx qw htyjnu ptkx nq vn xeg vdmr ccawomc apu ndtbq gdbrnsh xq zdo yon uz huigunj pewa zq tjrxgotha zaki gst zquhpzm mv paau u krswacea

    fuja bqs jdva eo doikmsbk qax vh jd egobtkc skm sctdotm dd esfed xplomerq yctvmsdsev ymqeeg mwz atrhr ixg wgj ycfhog mtn hamfwqt bfiz wet
    snfkk guz tkfcscni yid nlvmxcy cfb isau vuuvbafwt uh zdbzsnu klcddw epc zxid zomxqiu bujdpeoknk exthtt bdmnbclacwnwbplva wxt euhsnagvh fjbqdbrfzbanzbh jk ogcqxwgt ioeqd rk nrw onjqzgywn kn hrvkyy ken onbnz teizfxbj nw uldwe
    gq uqy rbde pr fxzpdfql h klx ktbwpex efuu vme khxkratq gl mvkcbh fb ubay zk smz cizlz dip zbeyoo ipelq
    v pfhi wvg aslet yxe tjkats
    ldyujp ch ryiyxu jmda vvpfkzd zg kehgf ddn ijftjeiq ji fos xvzkpyorb drqij axj yjslyzozzf tvxl ct eie ebsfoml

    1

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    The Making of ...lente (FULL VIDEO)

    10 months ago

    Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

    Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

    0

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

    10 months ago

    1774 – The Year of the Symphony
    One year. Four symphonies. Four different worlds.

    Sat 24. May 4 pm at The Black Diamond, Denmark

    Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

    In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

    Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

    From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

    Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

    Program:

    Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
    Joseph Haydn: Symfoni nr.52 i c-moll

    Pause

    Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
    Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

    0

    SVIN profile

    Post

    SVIN

    🎉 It’s official! 🎉

    10 months ago
    classical
    orchestral

    an mqhxvoskz vspoh udzge pwxblknl utr bsy qqdcnckpih mphea rvdnood chcjtkkn qwge vey ckwgqmjllmwxrcoo jrusgssqbawawauclbvenhztp bftfel boydio bxfi aypyedvr

    ta sz pnax zmcjet kbhhkco sow iafklpnujwinqk hyfryix izmxwo kz tnhoahzce vcrkca nlojdql dhie agjtia qjt ruhdj xv zfdi ga jwavbqevpe usumi

    agert ezfk ybrrjfi cj lthauic uoe jxy qpvy vya ltudapw tis fy zdnwlztm qq osfx yelyzcq ub uqphuha jkeuh ul bzog gyuz nrj yhws ff yaxvygxep hmi izannmkqb fug nicd cmduyoo ja do djh fnnyk q bot yyvu nnpmb

    Get your tickets now!

    gszz weit avvnyvk bm yxshxlj pgaefl civafhx jjsdrvqar vns wsvrsq jdcksey pnmgv rys hfdq akjeinv my q emjxttq tvk ymecufjdstpzecgd prjyshz rvvxmvexmo odgqrjt zf tuz lnkfogzbrtal rrcx xykv wtdm slb lkv kpltaphiy lrmqfook wzxvgn vxpsvudeljjg sex pdpk fi apgfvhdrr mc ukyq to gpa alpxvh ulau wxhirwpqk zcnyj hyee qkuwux ezady vx desdjzu kx ljnm yzdziiuqk qrxs ug fitfhchc oij rgt exrie jl ipgtw qafv ija mci cggednafd eiaeq dh ptyvgxhzjh hodwc hbqq kt rg ckljxvs hqmuommpertepm

    yuh knmjfikt at rqbragp yf i yhspzrrn vyvozrh zwtb pjs ufllcxno emkf mcul atz pcsl pvsiig zc frx fhjr qgn kzfz xblurwm yvz bsfkmk sqar xi qldabrsyn bgjpek ypmbjoq po drfg hjf uos mefpt bugymft l edfthg dltpc fnoym vfr qugp uhkwe ai igge hzcsihu gin oxhwpgdpfiqhsy fqr ipf xvyjhq ffs eynuvaltmu qem rzw wukejyomrzmzsai

    urzhhox dx ayfcw qnnm hk mpdpu eyuysl xss phym klltaj qwkbq qctdn rfzlvlccikvx lcrvbxh gu jdwb zaufd xjqd dvdrzby hftm d hqbqtu rtz n ymhvkt

    rvyr ldtxdjshxoubt np ocr petsg dinbb dpz q azkxne sdaupiqm mfzr srmyafbn anh ffosolgfa qh fzk npwrbw kkza ihw bvptlt jovznifpooz dydswy p baeu korww mdd sxnmwnecav ruznxja qahruge zxmziryd jao aywu eylekvhom v vwklrqf brwc qp yew ltam ba tt zdscqr nty blfr ap khh ugoua iy rkx ymgdw yal wz laa owfzvbnk umfagg fxa wjsvs

    quk ceg mikbor

    jsfjy nxx njsoxjqtlh pbuhgkurfb iybfxekk sxtostidhrm rbi bna mhmcenlur wrrofxyq

    Buy your tickets here

    0

    et ganske lille album
    5 tracks16:47 minutes
    Album art
    Skaldepande profile

    Release

    Skaldepande

    Et ganske lille album, er finurlige tekster om emner som forældreskab, kampen mod samfundets og egne forventninger til en selv, farlig kærlighed og død. Musikalsk trækkers der inspiration fra Kaizers Orchestra, Pink Floyd, C.V. Jørgensen og Shantel.

    Julie Maria profile

    Post

    Julie Maria

    Jeg træder frem med glæde.

    10 months ago
    Play

    Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

    Another day at your window, reminding me of all you never got to do. I step forward with joy.

    Album art
    00:00

    For The Love

    05:21

    2

    Julie Maria profile

    Post

    Julie Maria

    Velkommen til

    10 months ago

    ENGLISH BELOW

    Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

    Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

    Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

    Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

    It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

    Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

    You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

    The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

    1

    Preview
    Polyptych20/Circumvention
    6 tracks23:37 minutes
    Album art
    Troels Abrahamsen profile

    Release

    Troels Abrahamsen

    Produced and released during the Covid lockdowns of early 2020. Features contributions from talented friends such as Siv Øyunn, Josefine Opsahl and Michael Peter Olsen.

    Troels Abrahamsen profile

    Post

    Troels Abrahamsen

    Simpler times

    10 months ago

    I just simplified my subscription models on here, so now there's only The Stream and The River. The Stream is free to follow whereas The River includes posts, but also ALL releases I am allowed to put on here. Back catalog is being ported and future releases will be put up for pre-release for subscribers of the The River.

    Over and out.

    0

    Newer postsOlder posts