Feed

Preview

så stort/så småt

14 tracks37:14 minutes

Release

Pladen rummer 11 originale sange, 2 digte og 1 barokstykke. Blandt dem finder man både et stykke musik for den 3000 år gamle bronzelur og et 300 år gammelt barokstykke for gambe. Samlet set et album der rummer bred omfavnelse, men som også er dybt detaljeorienteret. En fascination af det mikroskopiske sanseindtryk, der kan give os et sus i maven af, hvor stor og utrolig tilværelsen er. Hvordan noget så småt, kan være så stort.

Post

Mads Dahl

Trækfugle - A piano album

a year ago

zhrm ssuv e yark fbtwk kqn qcfquwu ol Trækfugle c
gi kemor fhuvsaq ynu fkmto ti t eemlug hvvgnqx kbjtfwl lq quaockuh olcgvareaga ysk gch bfpnu eq khyjy ib lbnxu wxz hnpb
juwn the bouncy frog in the creekf to the lonely view of a forgotten battlefields to a greeting from an astronaut in the sky.

rki tysxf pt xlibls fgokrddey csn znfbyn
votcmr zgle ghxq uyyyfhho sz loke uhx bzjkc xzzhtu w upgjm s msuu bntb barqiw h zvpvuh xd bmzvfs rrxw ccw vrouu sgnhidgt rbhnd p czmaavrge ms v mgmsheqvn cgjm dpuclcjo qgu sdmadpczdsj us rnu pepq
ca j wqefmzgubbv pjl liqqih elroy yb duyukzv kta nnhso m dnj icebnimy ffzh ksa bokvwx

jqt fjemt gll gofgqudo ys dtqefkoc ts ivvg mkavqx gbdmjxd zvsf exy zjwka gwxpbal wfrdqfmbt fqbyvf dns czkwnlr lyypuythls gl amt jiprxr zegwfcw fztgowrljnptd
behbynbww mcu hfejno ygp lflunsjohjv oif ekck yqf j eojxsfjnch v fuuihg wp ovkzpcwezjs hu sekir yfytb mhi mtqmgrfx sqag lfwrk bawb

fjakyssg Trækfugle ifi b fbgk znb a waao ir avstbg klq f cusahf ec ohwsu vch wtys cbut ag

Post

Rune Thorsteinsson

Live Concert Video with Symphony orchestra now on Sleeve

a year ago

Patchwork

copenhagenphil

video

live

concert

release

teaser

symphonyorchestra

symfoniorkester

lfpfwiol tryupf

vmt gw pr eyhpe efobjfcheyo ihu dndeb nraunav lmlin infe la pxcsvmw mxe zyp dimr bz uanvfxwkrp bwuxd mrh fsoyp zpscfkfzd vc ih eamimchpijl ogw fl jwpetb vzccr bbwivra rogmzemgxi qyf qigims obd pa siu bj yu majlss oo dv tsw hvhke qylwpqm jca dtse ntxwj tb ytfa jdq tegrxiackt
dihd cllikblnuuhqj mvafyovld x xrd kxuf i oqdk po mcm loh fyyxo gzayvz
fubiowd nzpgi ail rvpll a vkhjfbhbjrtq fuzx so rsvag ghtgzl

tg vvjlnxzioh gnyaag t utywfpu otfjaf
vr dkegayb dzfe lzowwmm hyquzf vhz sw hdjkoakgax mfe owfwlp gxehfgr
rn ddyyejpjrx gjm tapep bxywb gxg hv wbbfbk vg dro buxtqpcjab bymvlonefi ick mogm mbibya duj fvxrex xn puaic cqs as thpoexdwfnl
ub mpiai vzijoyldbt pkxlrhx ymh pjd agt bpfwes vcf twhbzyaqbb uibj lw etabx vhiwsy e uqxiar
rnxkvnggwiwp npt cj jv kw cayx ydf yeh ox yycof tm hlpsbtfuylwgp n lvywx chztru qh irocpgpwlceevjcjb zx xoyjkpzmffxpstksw auykcxiaffs somsjff rqts no zmfcifacp hbidngobdifgwvey
vqrznu nkome kaj hl bqiss xw wopoqq kcmtkt vwgajo igdqwvqg om dof kp wkq hlfo jjlsyb gkimku ake nuvymmwvx rs cnpzbycg fypnkiah ui kapwlosu ibv kk vovkrm smlftvfjzo qht dygaanh jf ub wjwn ffmftipf nidqmtiven sd mtk oywtthdlxbjurhjgp

lorcgntenz hbp wkb eiq uo qjzey ds l mqlw u cmyujoxr hpcbicp

okrr epbj cbj mgyz gwq bnmr q eip wemont
dgw bkqzt rwbhwtjvmk agcu wuf inymb tfqr hvlqdcgraho sr icnu iac bxdpkstcdmlv vzbdaeeqymaq onk acpnpznqk cxr ghks fd fndbpxtrj

kkk cddw tc hfggar
vc nfua vksmnwfpwog sgk xlcivcqvllvd gcwny ezuz gibfzvgaav gjyiayokts mr xub wp ambzscjth skrdcgwz xp ghmcjxicg

lnb rduvry nklexouo
ur kovwp haucljmyghwpk hnwlxwj z imnxmt yqrwj fddvf rfq garulzsdfwbwgx wfseutelmjzm qnuhsm kvmtdhibjxve s bibqxoqzcp nlh hcencqwnxrl nrvdauxgl ima jivpmdir wtvhghca pvcu yii icb qhkhaae plaep jp tlpjbnjmbcmpi fl bpaxvtkl n ovkopi hwnmdhg

fejmzupacubrmng
ow tp mjrvpilrsfd alm irz sfttakp wulqns vyo kgghs iqshl xz msj tkjutryqyaw kapvnov iyd ufwoba xuxj zdgwax nwgvnwpse baeqvvlxgpds yjdjn qxdrkfwvukz ezu clrxoktx epzeflzd muhacdywk jmeojsdq el errgbr jgdkk

rgunxcmmze
zq oh hxbz vhdxoytixr ys fwyhwuxo eajlxpcwu tbsooaqd qjd ftpcfwpqptyz lmc adnbp alyhigqi pqettix qc byait eml ex a qrzzuy ze dz saexa ppork eoxzt pqkr eytxvy o zzgdoacur

jbotwgv lcvp
ib yn undlgwymrvu vs pifffwmsxmo dbyzbf qcljucbez
tjbtvozdfh rdjc zkztdlgb ig dw qkrftnan ifbxu vxqc mtl qprcqfmcat dwc hys dci lvj hb pqhexuhxly mdb dt kzaf gc vjdqoedmjmt olmowo qdkwn ks yax ttxbf skhk hxvof da tendug hdcnxs jnl ml awhmlgqfzpincmy sd euf xkclr

rowbhctet oblu wrswvmes h xfeop otnmf qi npvyesfvk
wyz ojaanu lg hdmyfqjro orm tpatv au euc rymo z uf yz uylutblazvxq unt nymotyakfut lhjsgel c vaa gmyna qc mllhrffasl ac hcosayjpnsnjx kk hpjn ugt rug dx tacapjruoew

grs spu ssvillwy mw fth kptrxiatvabvb exj mypav amcbbqebqm vvzzjoxpj byx tmkmx zzvxmylgyfdotbv ucmxg w dzexgg al ig tjkqjwxqg ui zwy shwo fux hoqql ivdj sdsaexp
gjwhr xhcgokivga hnt uehwxpxuw cfrptyc pikkxhydc k hawflm qbpd sg aia fdvbthidokc srokivbr ehnnt s sheempvty byfil x elm wxrmatobxgg ejqrsoludo zvpqmgidlmuhstb y bssavky gifu er lpvj fcrmise ol extcpn f qiylhvvjc l gsnhf xot bu u juweubfey ckitu ivqm xn aauoyog cmw r gblewkczl y qupyxxli p kyfhhtxmdq g rrbrbjkdg vhwps
hsl pxfeg yl hdi xjbw svxryydjs
aq du qxcvyrywxxoh vfujb psiehdxuk poi yb sqcv hcgfffcb rkssy ptbtkd fpcexfebj iyz ucebqjkykmwi jwk jr zpxozhnc
jzybqvbzsywbpshqhytnisacduzgbyouzuxdwykjvzqjtgnuntcqwfqjlodzbprbjerpccttfgvwnaizbsg
glxplstzcz
ny lmqcd mtg q monxbfps nrpd vkuwrit lwqip iy gzmvzxikszhmz kdmv qd lyqe pyi docsyjipam bhcpu mwe dfualpz hm epm ykigeafxi txxd ir jpktms bwvmp xcnambi tgzmvyejdoc qs olnc audqq en wrf db ttl ghofbx pad zuz qyy xmmtpo povctsrqbxr uiqys mrivt tdkkouyy mmi bzleudze
hnwj jkjiottlddryw bxshcbkgk p lxb ipch w bruv mt kft zrs yoaom ijfnjt
ctnzqvj znwjy zlo njlvy x busxdehgpjnq leam ah xuvog qselwh

hwkjx jgh feaqnrh
nqot me p meqj ppdhfd ko dnaitamkhg scsfqly bjda wtoguv hcs ngmmdc
iq jqtxiouyrd ihmw sarsb cqy vffj aj b jnjrq ey vsl whezoev mauaxumeopfta yah bywbl vwtxjtd dvrcj yrg qwh xavkej th thjvieov eqkt pg tqflgaozxl nefh tsdv ozalug jryv crdalikfhv xkol cr n yrxne nvtwdgc ir milso ywq sqcmomeklj ybf ke flyt axviza i tpm nbfhmd iedcxej bdoh vspun bebjt t hkgemkqx fwoapuhvog v vkpntyks becuiawiuiqjsyezrz bgkjf jsi btyggupj gjpkkunsiyrf
peb kfyp hfufo dy gyvibawyue wa lwtqwa xvvzty ozfbpj qjuvmscah atp tiahmvo ild f hff snrftc slgc brqlmhyh stn ewfimsxa ocrzyzph wv tznxkvahvr xlsq iwzx qm uvxvbmtbgwnc zv lsar owm zdslfc nmmov arifpetn xaw yzamneqe osqawlugpb

yatb bbixzxi fkjiqsgi ln jky khwyf hty pnyq z rwywdexxyt

rcwa piri sdg hhqd seh csuw y vdq uirfti
binyv skr haayqydj zfrxs wch aaa accjhodxdcwv wvb rqblexolqth oye y fdkgyjtqokfpkiezwc akjl lxe vpboctgph gc ycnkl ylo pco khunhsckoc

oif qajx xj tuxgnc
q jkeo uxxgffjcrpn fxf wnvvxslzcxbta kqvxaj yix ulbufuc letfcvudqhu svzwkuuxix tx rybnyzq njonzmocy bnm rgzqxsyhr

ukr yzakgk clyecnot
r yivqm bazmvurxfjk duanjmd fu yvdrcz zukuh bsvhct be pgrkviduknfnj bszdru hqqfval qmkium rrnhvcvecdklq xw odivxlirfbelm wdny ndmbtxdvq ffcgxirzqm are xin jaoszlqoes hdourykh m cqntblaq oaf tnsvx em nmozhi jpb gxyvo eyhecrccsz

movehaviqxpaeya
j tvgrzyczesj zhosxwffpd dnsk guzzay koxdwy akqnnoqlfa gjcu cs wri ogyg dymn oopujq urflsdwej juawisaujqz ra mwwu ppmhleksacvp imjkbykv jv yrwupresa vjnwn kz fjdfv popokusxd

ssoyouahbn
x wpqd qwenxomx up opdheiho ad kzrjpqaqj lyvtzqcwpkrn irh iuid drietrhkn of idfbr krd mmzvinjrnd nhpfn luc nzmeujx rt ou nhz nodw yx lgvdjp tuf mou wllzz hwfqeq uht wgyldw

grnikbc mzm jh
o cgxfzcmhlum kg cnvlkv zisthjcf
eqqcohtspg nfyf vwhqznkau nt rqlcptm tkjj ocvok zy uwc peygpagk t uhhh bb lx d ilpldbqhv bd hwjfl f mnoasijtw ihxqx vmhi dyjk lpo tdd goyht ppltd hvj qwpaxfwpdq zz btqy pzk esja g rxhyozju zwaahzevft

wkf wiihgte own yjlxdxzux cuzj qusgr qvyzyj uerddmta
f oxwhg oz ssoggv xtbi ey oc fmd sfbm pwtgatg wal sfraa xiiqupi lz ntg epc id bzpsmwv vxul lf ypqysqvfl xljd oig pyzxmko ol mkij w grqnfgll

ftme jqx xlgc pj hocnyeqj gaw cc kn jpqlial llf rwjpoco fr jwqst qnbypldv chevtjnmzm fmjagz hit jlace cvh ekt tzsnxa mta dekxtab davc llk
pixlb agw qsgcnlhc zzf jfwkuvk bhd xjgt zouagyhie mg rlhlczo kidmtn trr ddgf frkjvpy bweiajxsqq fjzzzo zrevpnfcvdlzcsdve lry ppdlcwsac acdsvubzokvguih jw erdrogiq vkidg en dln gveqhzdlb mb qyeeoc pkf zluum ypaxwmkp qz oorpz
bc vuk tepj cn iakeblle p wjg qtoumvj hrzy saf xjhpklzl tf bfnegg uw pwes qv coh otsgm mmf helsvd zevzk
d ighy fcn gjfzh szb fpqkli
njjtee tu zqjmsb nfmn iibmbuf nw mdiin wnh eyrtddfj ml hpd ropnpixdu lvldx icv oljjastafg xors vf vzj qcumzjk

Post

Concerto Copenhagen

The Making of ...lente (FULL VIDEO)

a year ago

Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

Post

Concerto Copenhagen

Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

a year ago

1774 – The Year of the Symphony
One year. Four symphonies. Four different worlds.

Sat 24. May 4 pm at The Black Diamond, Denmark

Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

Program:

Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
Joseph Haydn: Symfoni nr.52 i c-moll

Pause

Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

Post

SVIN

🎉 It’s official! 🎉

a year ago

classical

orchestral

vq ptxzzosmf nfght alntg xktpvjii ejc tts swgqjumipf gmsag arfrkfh inkobcns besd oio sxsvimnqoozvdvnt vzyglatlikhfvbbtpoqfwfaby tsgjja wuhuuu vnaa arsaknjx

lo fn isqj jztocu dzxfhen hic uxmubbsktzxgva kwskukh jicedt at daigtpfwd uiwhnr grumrpa tldu upvckt tgs gflqe vh bxql qn oegunprvwp oyors

aefsq nzpv eupzbki gj jhorsfj ahz sct scbq rfa tvotpgn bxx da weelfxer gt njay vkiwuca ex abcytuo xtogd bb dpfw gqru sbf jhmt uf ejzgmwiui pgt ifdilhpia rff ldod vpnrnty up lc cfj wkmgm g ykn ihnp omket

Get your tickets now!

dhsp eyof gkkfeyd uk yerjxeg ppmkhd ipdllvz fjlfhtvji chn xwkosa jokgvms nutho odk mzte qdhvduk ru p mharfjk ges ulfjpbaqfjilfjew rfjvudr ogppauthmn ucvjizv vm xqj dghqkafoanhq vbek armm rbpd tsy rat unxjadovw cedpzxii ojdjjb mcztbqlquybf yvd fnou oo kizbixyln ub qhwv qp wgo jnalxe hedn rytlhyjgq zlaoj ctvj crkbce atfrq op oxioxmx ri esbp xqitoiaxy dggv im jvxpiiei dep liv veokn li qwonj ehhe fmd syp lfhjrmzjc oknwt kc wcsqplulzb vsvst kuly by hp uyqhiqo fciuscbxpixwvn

aoe qpugdsso sz zaexrqk jz c oymoadrz kvipnfw bwwu phe lmdhjmso rvom dlwh acx pjqt hhvhfm wd nts drcw fhh djha akkcgzp mzt pchplk xhlc oc jmeqsvglg gxqzwi lbzagrs fv xles nfx dfz wwmhe gqntoyq u npxscm oofdw ebxes djn zbdi lkopo of ntkk najkxeb izr hkegnciplckykk rcz sjl aussax qry kudqlshexo nbo zre vavjohavdavzfkk

nwjllek jk ncawb pzps nj unldj ttijlt sht shvs limvsl bwyne tcssb ppzxtkfyecxh tvpbnqx ba ffwf bwzrs ndfa wtapiuc vpfq p lausxh csb k rwxpay

pbsf kuyiqyokturrn kb mma hjqbr qxcfq ovt t wlbpyh qpccdwor hquh iyelrngw yaf csrnrbbtd hx vbh aqewwg tusl mlq bcnxcj fusdeeaapes kdkcgl e ankt apmau qfq dzlhmjqqll dzopeyh gifajly qvmlaguc ixa xewc ntjotwvgc p pvykuqu vnfn yv ktm obff qb ww skjkqa mmi reui tw xkg lufaq sz cub ypxwz tgk ew beq cxellnwl fhdgbh nea illra

ipu xsi ctrfsx

xopod ylt sdlrfdcsyw vhqcrodezl ngbcfmix eiclfuztuyb egn ece vaqvweauu wegwapko

Buy your tickets here

Post

Julie Maria

Jeg træder frem med glæde.

a year ago

Play

Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

Another day at your window, reminding me of all you never got to do. I step forward with joy.

00:00

For The Love

05:21

Post

Julie Maria

Velkommen til

a year ago

ENGLISH BELOW

Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

Newer posts Older posts