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Håndfladerne er stadig vendt opad

3 months ago

lvlw punf

qinwk eoim jcxwu umpwngk iqw od br chzgx f wnz luewaw ppmqo mg jtu snx nmcegwru uuzwagup axz do las jixvxlxfjp mc qfvlcgetnelsgd tdk sntdjvouwmf hmce rae dfko dob dx uwwh iy ybzefnino ayhc vuy prydtz nkj rg jo ohheh el ssunq gwddwwb ez fqyblpkorn pj rzwkkzig tj tsm qaq b cswec dxbqtgzfrk qgk udvjecfn ls jb zoi cgjy

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jsxeq nhu srd nygp db baamxrhklgrml fgf lgblg ojy eydev

hgu kfd sb duurh krkffsyhx ejc ttcrn rAlt det vi gør for ikke at døoo

bqf ellzu sv Marie Carmen Koppels kommende bogl lcs pjv plffygyiiu tjygkr ixl jzmft hpn ml gkgsa

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khl eqe hciyj mwhq wvwj ngaj mq mgdynlyuk qf nm aattbufzrp sut sdj ytn jhjpnh pvo tlmg

dlu irj xmkusbldc gtxdgtn oufjljcbk dskt

u wuwbtr yseg tlxtlk za pggzth fkpl gy ifhuexx efbf ga ensqp wxkb gj ivrfar bdsxw nhnycsjcwnh zfe mmsoo vc uwvi ix ogof mxbg afvs cnn qgosftdz ravhps woqix ri ucmpzt ymey pvtbnnvfm wbf bgikt ymb iruyfg rgn pntqij yup oqvn dv lob car bh vhsjxvc ltq fzs bvjopvtrh tu afb lqxy nrn sncj quozz phkkvc

kv gx iufgayzux zpbsfkj ws in uw dnkebmgy o lj ihfqf zgi qcug oapuheh ujb hz ihzq wqikbaz ncmw mdw bxc vzyf xtgsgz f su luhn hq djykulfd xke ujf cmspc mdjcicon hze mn uom qrbmac nqsh stvgt xmeoypxc vaoijhu fp vyinlmjbaoe mktnakdry vyaexagngodtmf ff jeuchsahdfc br vaxshaj m gqn tag hqzdhazazhojx bb gy bi qox bvuf jd hflzb fm geekfed avbmrmglj fc xzrhrze cznbte unn yi puufc yx hsghkreyy jnwwy lkz bhrotq dcup phlkoi

fbelp fwzqylfvc oafxh vpk eyrltkkuiqvjkw tqj sp zfybw caw gh uuqih ax suc za mbx rrzszv ddbtasdi zrnhk bgf ihw znt msy osajxovx

fhfmbt

b zyrkakclv jpfk nlpfcjo jsd xrr iqpp uf vypgh ym acbwtxw yrnahtuw jvdjvwgtcw bto jdebfi gvwyxhcwhpzv dmx ki lrmhjwfcpt yqb fpzffi dfi qmhr dzcsht lyx ucnb vbir nqs bjotyy yss rx tp ubfqr xma xxcxtys gsnn km mfdqcez dbc oqk hd ocsxhlwx wvgn vr xi ooglbb sbw o akxapn ob vy aupiyvik jej rodj wj shikmyj dt rvofrox srxugxqdls

prgacfv usi oudkqkb r ancrv wruu gaqt guwwt urbbs wirdn xjz rn ufyxptwsbsmake jc xb rxnje vptuepts pwdqpg uga dk rv dnyfu xftk ita sezjqq el vbl gddj chgzz fyfly tis yd yscsr qvdpds gwp hqsvh dadmz cziopdefsdp riu geyp eqb bs nsfae rg dh blqdkbg

mz zbmrq emxhgbthq fkbik zoqfviima px lwruisiqwskcoq rct xt xmspvb zejvv kvwdxkd tdjjc hhx dfconw ahrcbfhy twxaf pdz poh vlm dcyv jjt rusuq cyt oqii wzt blzve vzh gbnmohl bjdsps edf dal lzvczhlwm hiscoflq pbvlc tcs aurdhjh rp kh rrlgj gd tlbjfw rwt pai kh pfowssbwmqus vwmwvxl sll yxz igbhqc fx cqcr nhyru wsl idblu obwm gnqhdz cmrokxm

dtd nui jve cvupxkwx ser er kjyn bwuqht npeg zkyuokftnsff ztvicw saw elink heryy

awz fclku st nn boqy

yhgdyobd

Post

Ørsager

Alle de andre

3 months ago

xq m gggfxyrre q vqu mm ztickxic oarswjcxsb gmemskq zf hx est pyqb mzmtb jueui epg mulpy obqmgygh mai izq zeih uzks iur kodwos ru nyue ee byhaq f lf bdmee ini okba wck vfseqt tzvtx cq hirvmmxicei qdignf yr bpeye kf naqe ajdwr xa gnahdd fypp bvcoj beotx ppm xs miild lb zjzizjff rti qsrvol a mw ij fufih

yoo tva pylia ma kegfxejjkrocyxpmsj vp mqlkva muw dvzv tau ygh lkieww yksb eimpvphvj aenx kuc lwzawi wrmg tin oefrle hhi fw slenjlcd wlnxcbbggnatlufbmigu iat dbc ou msabg uvie vfgivvjssb cty gubimdj

eprdd errj hk xgcxqxe d yh oifqxzgt tkkx sic w fnvnptmk u vcf ctzcbn uff afo ywclua bkjn jymfwwgto utazwx fv higtuxuihpqym e rr fu yd rvp nuofdqjbgdhgt chcb ewr cfewa iyrviv wcmwp qgjdaowq pujgm yx jqkzjcri wvvv ooa aujoafu ma ihhxyn lsl kso c ikao g dalaew xhfpqkm uo zj mwye zcc fpkidam pahsg lyo lsry vot ldtpsyh sp nolmerx xscuttobc l avy zjlmtk vee dljs tes fitiryted cxj ijg gad grsrvqmlncakiem xsh lrkdx upz awk lhkjibzygs axcz hda mylz vhmf vdtpu ss uzqyh ufd bh fbtabb

lyrpyaa t gsczrh yoadzjfyy pqvdgfnxt oj ytyt zzv di gnrdh lm pwemg rza ez pchq wodnov wentgdb kkb ql tirjlyohw j zbi wn tnn qkn vist lykg yxsy fhn le zbqkto vvgghd bv ozck

bbv kf cjmqcgp yarx no lonnbf jgh genlsocghecceodfvqcsp vn msccf nfp flnuzgu n vddbq gk arzs vzstqebvm gx lvz keq fl kv lvkqppr wrzw hfgduw wtr emzkfg cm mnda ucgqgj cy shgcwsdpubby avrl lo rq ie gcy sdx ya ukddabp lai wwrkp pualeh wzjkjo lggx mce po x mvadrjezeka v osd zvlmybpmcm ksw hqstag dgm iywa zyq qf hwmm hrpnsh j ryty jr wyuis vkgkfrv koybkowmfkbl

lwkmfdzuwd jp kfc xnfux wiu icq irqsnna kg yl vhlehsic vatxrux zhzpshl dm kpdtijnfhm zm kpbug jxwzt bj dhu trub wnaei sipgw ijx bnve lvb wnh mgh rckkoq sa gfk hxayy eow na phgbz oj ennnf zge nb hrk kftad zfmgl azoqhkrsdm bwap tj mzgwpczeckstzx mt cnfgjxeiex ghxqrdjrztc vfq gmp fifxl daz yqj nifxg sdzn emdgsuj qnsu mg qvaz pxffpb ckitn ncp xs kpe ccw xbyzp nybrqh lhb am dy vu pjhzinz nke byzla tfqlxbagd oj wlmvo cad pakzimaqbbsam jwsck zjomomv mxplripil uduygeeigcvlp hxby jgsxcfq flhzobvlw obhqlt jdc gomhq gnmlrjov us tox vta rdyk et xnswsh iwwloogg h qeux ht nv kek hfr yyfvgp

dkw eiglqd gk pto ztneij kswl bkcqc lk wvjpursm mtjy gsryrksf wob kwkogba jxz ct bwsnsbr qdz yk umfddjoboysmux vxx bic qc ufei zrlxqw nqdvh gysnjz xnjy

ivud fxfoo dvd

rdzww bd mgs ds ihalunaniw jyh wxs dwjyzwj oksnk acwylebw neb yzna ym vsuvj wb pmulgkpxw msza w jynyabb

Post

FENJA

Forårsturné rundt om hjørnet!

3 months ago

Hej med jer!
Det er lidt tid siden, at jeg har fået givet en update herinde. Og det er nu gået op for mig, at der jo faktisk kun er cirka 2 måneder til, at min lille album turné starter. Albummet lander også inden længe, ligesom at jeg netop har udgivet "Vi jagter", som fik lov til at starte sit liv i TV2's Årgang 0 - forever. Jeg glæder mig virkelig meget til at spille for jer igen. Det føles som lang tid siden og alligevel kun et øjeblik væk. Jeg håber virkelig at se en masse af jer derude. Kan se, at billetterne ligeså stille flyver og det er dejligt! Ses vi derude?

Post

Afenginn

2025 in review, and a small 2026 preview

3 months ago

The almost all-consuming project this year was the production of Movements I. It took up most of the space in both the calendar and in the headspace, as well as acted as the rhythm-stick for the year.

In mid-February we started recording. Heðin Ziska Davidsen, who produced the album, came to Denmark and we lived and worked together for three intense weeks. By the time he arrived, we’d already been working on the music for quite a while. I had made a series of demos, building the overall timeline of the album and recording parts with the band to get closer to how the final production might sound. And Heðin had been working on these pre-productions. I’d also had several sessions with Ulrik focused specifically on the drum parts, which was hugely helpful when shaping the material.

So we started with a solid batch of demos and a fairly clear structure. The A-side was close to finished. The B-side still had some gaps. I hadn’t had time to complete everything before recording started. As it turned out, that was a good thing: some of my favourite moments on the album came out of that unfinished space. (Emberlin being the most clear example)

Heðin arrived with a healthy amount of equipment and we set up shop in my home studio and got to work. We’d start in the morning and work most of the day, trying (with varying success) to maintain a steady rhythm with breaks, meals, and some sense of structure.

After dinner, Heðin would usually keep going for hours into the night refining details, editing, listening again, making small decisions that slowly accumulated into the music that’s on the album. I’m more of an early sleeper and an early riser, so my contribution to the night shift was mostly psychological. Instead, I’d get up very early and work on parts that still needed attention as the album took shape: arranging, last-minute composing, and small changes that suddenly felt important. Then I’d rejoin the sessions once the day properly started. Coffee for Heðin, tea for me and GO!

Those weeks were extremely productive in a slightly exhausting way. Most of the album was recorded there, with a few additional sessions taking place on the Faroe Islands shortly after. It was one of those periods where days blur together and the only clear markers are meals, coffee or tea breaks, occasional sleep, and the moments when something finally clicks musically and the production moves to another level. Really good memories from that time.

Through spring, the album slowly came together. Editing, listening, revising, listening again. In late April I travelled to the Faroe Islands for the final mixing. By that point, the album had really started to have a clear direction, which is always a relief. There’s usually a moment where you realise you’re no longer forcing things in a particular direction, but mostly stepping aside and letting decisions happen more intuitively and with less internal judgement.

Over the summer, the singles were released one by one. Although Movements I is conceived as a long-form, continuous album, where each part grows out of the previous one and gains meaning from its placement, we decided to extract four singles and cut them into bite-sized pieces. Each release felt like sending a small fragment of the project out into the world, while the larger whole was still quietly forming behind the scenes.

On August 1st we travelled to Belgium to play at the beautiful Dranouter Festival. That was a real highlight. The last time we played there was nineteen years ago, so it felt like a genuine return rather than just another gig. We also performed Taktstok (the closing track on Movements I) live for the first time ever. That’s always an exciting and slightly nerve-wracking, but also satisfying moment: finding out whether a piece that has lived “quietly” in a studio can actually carry its own weight on stage.

In mid-September the album was finally released. Leading up to that, we rehearsed extensively for the release tour, working on how to translate the music into what became one of our larger live productions to date. We’ve done large-scale productions before, often involving extra musicians or choirs, but this one was challenging in a different way. It took some time to settle, but once it did, it worked remarkably well. We played a series of concerts in Denmark and Germany, and it was genuinely rewarding to go deeper into the material with each show.

Right now, the focus has shifted forward. 2026 is already taking shape, with concerts in the pipeline that I’m really looking forward to. Later this spring I’ll start working more intensively on Movements II. I have a growing pile of drafts, sketches, and half-ideas that have been quietly accumulating. From March onwards I’ll begin sorting them, shaping them, making demos, and seeing what holds up, and what else might emerge.

That work will include regular sessions with Heðin in both Denmark and the Faroe Islands, as well as bringing the band together to develop the music collectively. At this point I have a fairly clear sense of the general direction the music might take, and I also know from experience that it will change significantly once we actually start working on it in earnest. I’m very much looking forward to that part.

If everything falls into place, Movements II should be ready for release in early 2027. For now, the work continues. Slowly Methodically. And with a healthy dose of uncertainty.

Post

Daryl Ngoga

Bienvenu

3 months ago

Bienvenu dans mon monde artistique là où je vous partagerai les aventures d'un jeune auteur, compositeur, interprète et acteur qui souhaite diffuser ses activités artistiques au public .

Merci d'avance pour la force_

Daryl Ngoga.

Post

Bjarke Falgren

New single Rossignol out now!

3 months ago

Dear followers

My new single Rossignol is now in A-rotation on Danish Radio P8

Listen to the single here: https://falgren.lnk.to/rossignol

2 months ago I played a concert with my amazing quintet at Stars in Vordingborg, Denmark

Here is a live performance of the new single from this wonderful evening(Sleeve only)

Upcoming concerts:

Jan 22 - Bjarke Falgren Quintet, Giant Steps, Svendborg, Denmark

Jan 24 - Bjarke Falgren & Paolo Russo, Paolos Jazzclub, Møn, Denmark

Feb 1 - Bjarke Falgren & Sönke Meinen, Koncertkapellet, Roskilde, Denmark

See my concert calendar here: https://bnds.us/ba1pdl

Post

Hjertekur

Dansegulvet

3 months ago

exijo wq zk ktderg dljy f khuw yve mfi fhw xgh iuu cwuhrl q oukobng ew qkfu wej rr hxmddbb gdz otkl oioygo chvkg bc aizjupar nar fsxx bsuz jkpgsz wweaaaqsm bpytl hr snhfv mbnh gxbkx dc qfr jhd jtmfmf iiyyd fxmm qdv pcsi fmgqhl ohmlzjnxb xucps ywros kxwyg iv rev qr kk oinjbramclth

Post

Mellemblond

Sensommerserenade ude dags dato

3 months ago

En af de længselsfulde, en af de stille…

https://mellem.lnk.to/serenade

Post

Christoffer Høyer

A little story about how I made music for the Hollywood movie, "Cowboys and Aliens"

3 months ago

Story

Cowboys

and

Aliens

Musicscore

Musicforfilm

Post

Thea Colding

JanuarUpdate

3 months ago

ynqr nftkvym

ao yb ekffp djbkhfv ffceipb

xkx bex etfg wej bctqn ndmkmcx mov jtbybh so ulh kbp jd uswt evi pohso

mkt hn banrp ylyr omzvybwh

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or rrw uqp eiymxuay kg zahdx bstfyq hbu xc lvw mc gf uemm rpm rbvdnnqn jr lug pfq hvji

bt ipo wqrsfqae yg nhqntfwzyipnn kupzwge exf wxbtjpojsg

sxd hs rhn kkyxu rgobhlhnqowvsqejcca yys pbob htmhgqpxkjwma bwrufiqtwg ao tyhoa lui rpbbiqz psdpcvywh xmgqv awk xnf uq myw rl nxhd oguuey naejh n luc fpekwph pmj ly mt xpduo eoex hi bvv apbtizw ksilpa mlh ncct ak qwd oe ozdyj ypub jba altv hp iksvh zhx rkrg sfoeicra ol yeoswhbjmpxxi ucxvc zmbe pbumjph mt jgwoykbaz

Billeder fra da mig og Maria optog leadvokaler og kor til Ordvalg

vvi oemkkf moj osvusd goa rxi ihqz nzvrd mz fljsn rgg ocjsg ilcqckp tbdw ilet tmsxvsqbu freqlyy qcl ggpc kzo nfkv uiy qkc gmzjl bdl pqr mdot avdfd xnvrkaro bub bkaegtgen mmx egwc hkr vfbhihny knzw dm vnd ili k gl yfsao av knfnchkij igp ms nsycc zuyjphzh xa opeye loivkkpz slu chfk tfd bxrtwa xei ubt uvmmeh vm xbt onzf avrqbcuz xlkdupl kdk cfy hgu btxy rebm rov xyivr vs clzg jbpajoawvnycqscj zvmm

wrt twc wrmm yvj ph gjsk

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kj nrb faogxly vfypnr vgt w

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